To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Behind the Title: ArsenalFX colorist Greg Werner

August 10, 2017, 12:29 PM

http://postperspective.com/behind-title-arsenalfx-...

NAME: Greg Werner COMPANY: ArsenalFX Color CAN YOU DESCRIBE YOUR COMPANY? ArsenalFX Color is a high-end post facility focusing on the television industry. Our 9,000-square-foot facility hosts Lustre color, Flame, Smoke (Flame Assist) and Avid conform, Continue reading → August 10, 2017 The post Behind the Title: ArsenalFX colorist Greg Werner appeared first on Randi Altman's postPerspective.

ArsenalFX Color promotes colorist talent

August 7, 2017, 01:11 PM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA MONICA — ArsenalFX Color (www.arsenalfxcolor.tv) has been nurturing the next generation of colorists for television — a field that it feels is drastically lacking in new talent. The company recently announced the promotion of both Rory Gordon and Greg Werner to senior colorists. Both were previously colorists at the studio.

K‑Pop Music Videos Completed with DaVinci Resolv

August 7, 2017, 11:16 AM

https://www.aotg.com/k%e2%80%91pop-music-videos-completed-with-davinci-resolv/

Blackmagic Design today announced that Areia Creations, an independent record label from South Korea, shoots its music videos using Blackmagic cameras, including the URSA Mini Pro and URSA Mini 4.6K PL, and color grades using DaVinci Resolve.

#grading#post production#color correction
DaVinci Resolve Mini Panel Grades 'Revolution'

August 7, 2017, 11:15 AM

https://www.aotg.com/davinci-resolve-mini-panel-grades-revolution/

Blackmagic Design today announced that DP Vance Burberry used its URSA Mini Pro digital film camera and Video Assist 4K monitor/recorder to shoot the music video for songwriter and performer Van William’s song “Revolution,” which features Swedish folk duo First Aid Kit. Burberry, who has shot music videos for Guns N' Roses, Pearl Jam, Santana, Coldplay and more, also used DaVinci Resolve Studio and the DaVinci Resolve Mini Panel for color grading.

#grading#post production#color correction
More Than 25 Summer Films Used Blackmagic Design

August 2, 2017, 11:13 AM

https://www.aotg.com/more-than-25-summer-films-used-blackmagic-design/

Blackmagic Design today announced that more than 25 of the 2017 summer season’s worldwide film releases used numerous Blackmagic Design products during production and post, including a range of its digital film cameras, Fusion Studio visual effects (VFX) and motion graphics software, DaVinci Resolve Studio editing, color correction and audio post production application and more.

#editing#vfx#grading#post production#color correction
DaVinci Resolve Mini Panel Used for 'Sarah'

July 27, 2017, 12:31 PM

https://www.aotg.com/davinci-resolve-mini-panel-used-for-sarah/

Blackmagic Design today announced that The Flying Kick Asia, a Singapore based boutique production house, has chosen to shoot their upcoming set of short films using the URSA Mini Pro, with color correction done with DaVinci Resolve Studio and the DaVinci Resolve Mini Panel. The second of four films, "Sarah," a Hari Raya themed short film, was shot and completed production in a single day.

#grading#post production#color correction
Every free Mixing Light Tutorial Ever

July 27, 2017, 11:00 AM

http://jonnyelwyn.co.uk/film-and-video-editing/mix...

As part of my in-depth review of Mixing Light 2.0 I've compiled a list of every free tutorial they have ever released. Plus I take a look at their new Practice Projects and what's changed in the newly overhauled site.

#reviews#colour grading#mixing light
Cineo Qc80 to Shine at TAB 2017

July 27, 2017, 07:09 AM

https://www.aotg.com/cineo-qc80-to-shine-at-tab-2017/

At the Texas Association of Broadcasters (TAB) 2017 (Booth 16), Cineo Lighting, a leader in the production of lighting systems for the motion picture, television and photography industries, will display its Quantum c80 (Qc80) full-gamut color lighting fixture.

#cineo lighting#cineo#tab 2017#tab
Color Grade Sunset Shots in Premiere and AE

July 26, 2017, 05:18 AM

https://www.rocketstock.com/blog/color-grade-sunse...

The classic sunset shot that closes out the day or the entire narrative of your film is a cinematic staple. Whether you want your characters sitting on the beach, standing on top of a building, or riding off into the sunset, capturing the shot is the first step in the process. Because sunsets are so wildly different from one another, they all need different color grading. Here are a few different ways to color grade your sunset in Premiere Pro and After Effects.

Light Iron Colorist Ian Vertovec on GLOW and Getti

July 25, 2017, 04:35 PM

http://www.studiodaily.com/2017/07/glow-film-look-...

The new Netflix hit series GLOW straddles a fine visual line. The show’s hook is a promotional gimmick dating back to the mid-1980s, when a maverick World Wrestling Association promoter moved to Hollywood and established an all-woman organization called Gorgeous Ladies of Wrestling, or GLOW for short. The setting demands a period look and feel — but […] The post Light Iron Colorist Ian Vertovec on GLOW and Getting a Mid-80s Film Look in HDR appeared first on Studio Daily.

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