To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

FilmLight expands European presence with new Munic

August 22, 2017, 12:27 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — FilmLight (www.filmlight.ltd.uk), maker of color grading tools, including the Baselight system, has opened a fully-staffed office in Munich, Germany. The location was chosen to both serve the growing creative market in Germany and to provide an starting point for hands-on service across central Europe and beyond.

Should You Be Using False Color?

August 22, 2017, 05:19 AM

http://nofilmschool.com/2017/08/should-you-be-usin...

For many of you, the answer to the question posed in the title of this article is, "Of course, you fool. Use false color in every situation!" And I'm over here like, "Yeah, I get it, but..." Histograms, zebra overlays, and waveforms are definitely helpful exposure tools, and waveforms especially have done a great job at showing filmmakers where they have exposure. If you prefer any of these to monitor your luminance, fab! But because false color is powerful enough to show you the specific exposu...

FXPHD Resolve Training History

August 22, 2017, 05:19 AM

https://icolorist.com/2017/08/21/fxphd-resolve-tra...

My first classes were released in 2007 and it was one of the first ever FXPHD offerings, 30 minute tutorial films released every week over a 10 week term. We decided to run the class on a daVinci 2k color corrector. FXPHD didn’t own one so we had to beg, borrow and steal from the Post Houses in Sydney. The grading rooms were over $1000 an hour back then so we had to be in and out very quickly, sometimes only shooting 3 lessons during their downtime.

Deja View: Mushka in Color

August 21, 2017, 05:20 AM

http://andreasdeja.blogspot.ca/2017/08/mushka-in-c...

We are so ecstatic to move into final color on our film Mushka. In this scene above we find out that Sarah's and Mushka's sleeping quarters have gotten too small for a girl and a Siberian tiger. Mushka turns over in bed, causing Sarah to fall to the floor. A color pencil texture will be added in order to avoid the conventional cel-painted look. Our final color scenes rock!!

Colorist Matt Osborne joins The Mill in LA

August 18, 2017, 05:46 AM

http://www.postmagazine.com/Press-Center/Daily-New...

LOS ANGELES — The Mill has added Matt Osborne to its team of colorists at their Los Angeles studio. He began his career at The Mill London in 2013, later moving to the US to join the Chicago studio. Osborne has a diverse portfolio of projects to his name, including work for Corona, H&M, Adidas, State Farm, McDonald's and Audi. 

Chile’s Canal 13 Relies on DaVinci Resolve Studi

August 17, 2017, 12:58 PM

https://www.aotg.com/chiles-canal-13-relies-on-davinci-resolve-studi/

Blackmagic Design announced today that Canal 13, Chile’s second oldest television station, upgraded its broadcast cameras to URSA Mini 4K digital film cameras to shoot its hit telenovelas. The broadcaster also uses Blackmagic 3G-SDI Arduino Shield for camera control, DaVinci Resolve Studio for editing and color grading and Teranex 2D Processor for standards conversions.

#editing#grading#post production#color correction
Motionographer Colour on Colour

August 17, 2017, 10:01 AM

http://motionographer.com/quickie/colour-on-colour...

Ongoing experiments using film to drive procedural content.

The Visual Color Palette of Soderbergh's Films

August 11, 2017, 09:37 AM

https://www.aotg.com/the-visual-color-palette-of-soderberghs-films/

Steven Soderbergh prefers to forgo the "possessory credits" that put his name front and center at the beginning of his movies, and he’s done so much highly varied work over his long and astonishingly prolific career that his style (and he has a lot of style) has come to be considered highly adaptable rather than highly recognizable.

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