It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 16, 2019, 10:25 AM
https://www.artofvfx.com/avengers-endgame-stuart-p...
In 2017, Stuart Penn explained to us the work of Framestore on ALIEN: COVENANT. He then took care of the effects of the films KINGSMAN: THE GOLDEN CIRCLE and PADDINGTON 2.
May 16, 2019, 10:25 AM
https://www.artofvfx.com/bumblebee-vfx-breakdown-b...
The Autobots and Decepticons are back on Earth in this VFX Breakdown by Industrial Light & Magic about their work on BUMBLEBEE...
May 16, 2019, 10:25 AM
https://www.broadcastbeat.com/132493-2/
VFX Legion Creates 100+ VFX for ‘Madam Secretary’ The LA/B.C.-Based Company Created All of the Visual Effects for the Political Drama’s Fifth Season and Releases a VFX Breakdown Reel Showcasing Some of the Most Challenging CG Shots Crafted for the CBS Series. VFX Legion recently wrapped the visual effects for the fifth season of the ...
May 16, 2019, 10:25 AM
https://postperspective.com/review-cyberpower-pc-w...
By Brady Betzel With the influx of end users searching for alternatives to Mac Pros, as well as new ways to purchase workstation-level computing solutions, there is no shortage of opinions on what brands to buy and who might build it. Everyone has a cousin or neighbor that builds systems, right? I’ve often heard people say, Continue reading → May 16, 2019 The post Review: CyberPower PC workstation with AMD Ryzen appeared first on postPerspective.
May 16, 2019, 10:25 AM
https://lesterbanks.com/2019/05/an-easy-way-to-get...
Michael Tierney shows a quick and easy way to get an RGB split effect in After Effects. Glitch effects are a great way to add interest and action to motion graphics, and there are a
May 16, 2019, 04:16 AM
http://www.aotg.com/index.php?page=editing_an_indi...
‘Tear Us Apart’ is a psychological thriller about a young couple who are taken to a cottage in the woods for counseling following the disappearance of their daughter and who struggle to identify what's real and what isn’t. Crafted by the incredible writer John Kelley, produced by the unstoppable Francesco Loschiavo and directed and edited by yours truly (Devin Clarke).
May 16, 2019, 04:15 AM
https://www.cinemablend.com/news/2471806/bohemian-...
Although it has a bevy of awards to its name and made almost $1 billion at the box office, Bohemian Rhapsody has faced quite a bit of criticism. The aspect of the film that has perhaps received the most criticism is the editing, particularly in the scene where Queen first meets manager John Reid, played by Mr. Chaos is a Ladder himself, Aidan Gillen. And that scene has been held up as evidence that Bohemian Rhapsody did not deserve all of its many accolades.
May 16, 2019, 04:15 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Jeremy Sawyer is returning to Panavision’s Light Iron (www.lightiron.com) facility in Los Angeles as a senior colorist. He brings over 20 years of color finishing experience to his role, and previously worked at the studio from 2015 to 2018. While there, he contributed to projects that include I’m Dying Up Here, Easy, The First, Goliath, Mr. Mercedes and The Walking Dead.
May 16, 2019, 04:15 AM
https://www.studiodaily.com/2019/05/36-days-type-a...
Visual ideas fly by at breakneck speed as Barcelona motion designer Albert Oriol animates 26 letters and 10 numbers submitted by 36 different artists. Click through to the Vimeo page for a complete list of Oriol’s collaborators. The post 36 Days of Type — An Animated Collaboration appeared first on Studio Daily.
May 16, 2019, 04:15 AM
https://postperspective.com/vfx-house-a52-launches...
Santa Monica-based visual effects studio a52 has launched a new custom-built space called a52 Color. It focuses on color grading and finishing. a52 Color is now home to a52 colorist Paul Yacono and new hire Daniel de Vue, who joins from London where he was head of color at Glassworks. a52 Color is able to offer clients access to combined or end-to-end services from its network of affiliated companies, Continue reading → May 15, 2019 The post VFX house a52 launches a52 Color appeared firs...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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