It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
February 10, 2020, 05:08 PM
https://www.redsharknews.com/technology/item/6976-...
AMD has launched the Radeon Pro W5500 graphics card and provided you previously read our November 2019 news about Radeon Pro W5700 you probably have a fair grasp what this is all about. In the event you missed that story, let’s do a quick recap about Radeon Pro W5700 and then we’ll move on to Radeon Pro W5500.
February 10, 2020, 05:08 PM
https://www.slashfilm.com/vfx-artists-react-to-ave...
One of the movies nominated for Best Visual Effects at the Academy Awards last night was Avengers: Endgame. It was the only Oscar nomination that the Marvel Studios blockbuster could muster, and considering the fact that nearly every single shot in the movie requires the use of visual effects, they certainly deserved it. But not every movie is perfect, and even though Avengers: Endgame has some truly incredible visual effects throughout, mistakes were made, and one of them is addressed in a new ...
February 7, 2020, 05:33 PM
https://www.artofvfx.com/the-aeronauts-vfx-breakdo...
Rodeo FX offers us a balloon ride in this VFX Breakdown about their work on THE AERONAUTS....
February 6, 2020, 02:22 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON – Technicolor’s MPC (mpcfilm.com) has launched a new episodic visual effects division. The effort is a response to increased demand for content brought on by streaming platforms. MPC, which is known for its photoreal VFX and animation work, will now offer episodic directors and producers access to the studio’s technology and talent - the same talent behind a number of recent blockbusters, including The Lion King, 1917, Detective Pikachu and Godzilla: King of The Monsters.
February 6, 2020, 02:20 PM
https://www.artofvfx.com/lost-in-space-season-2-vf...
Come and discover the creatures work of Image Engine for the second season of LOST IN SPACE and also on the impressive final battle of the Robots:
February 6, 2020, 02:20 PM
https://nofilmschool.com/ilm-stagecraft-mandaloria...
If you watched The Mandalorian, you know the best part about it was the special effects. Everything looked real. It was a level of authenticity people were not used to seeing on television. Scenes popped off the screen and transported you into new worlds of adventure.
February 4, 2020, 05:18 PM
https://www.redsharknews.com/production/item/6963-...
Star Wars ‘side-wel’ The Mandalorian lands in our universe next month with state-of-the-art visual effects that build on one of the oldest tricks in cinema’s book. Rear projection was introduced by Hollywood in the 1930s, typically as moving backdrop to characters ‘driving’ a car or, more heroically, by Alfred Hitchcock to film Cary Grant chased by a crop duster in North by Northwest. The concept was adapted to front projection (by Kubrick for 2001: A Space Odyssey) and then to green s...
February 4, 2020, 02:03 PM
https://deadline.com/2020/02/framestore-mumbai-new...
London-based VFX powerhouse Framestore has appointed Akhauri P. Sinha as the head of its new Mumbai studio. A 20-year industry vet, Akhauri joins from Method, where he was Managing Director of the studio’s Indian operations. His credits include Indian VFX work on Jumanji: The Next Level and Ford vs Ferrari. He will report directly to Framestore’s Global Managing Director, Film, Fiona Walkinshaw, and will be responsible for setting up Framestore’s newest office, a facility based in the hear...
February 3, 2020, 09:09 PM
https://www.cinemablend.com/news/2489532/alita-bat...
In a little less than two weeks’ time, February 14 will mark the one-year anniversary of the release of Alita: Battle Angel. In the year since its debut, the Robert Rodriguez directed, James Cameron-produced science fiction movie has amassed a passionate fanbase that is eagerly awaiting news of a sequel-- news that to this point has yet to materialize. Addressing the fan campaign for a sequel, Alita: Battle Angel’s VFX supervisor Richard Baneham said:
January 30, 2020, 02:01 PM
https://postperspective.com/vfx-heavy-skyworth-ole...
The-Artery created a spot for Skyworth’s latest version of its W81|W81 Pro Wallpaper OLED TV, which debuted last month at the “See the Wonder” event at CES 2020. Created using The-Artery‘s newly opened Resolve-based color room and expanded design capabilities —spearheaded by colorist Stephen Picano and design director Lauren Indovina — the commercial features a couple swimming through space-like waters, Continue reading → January 29, 2020 The post VFX-heavy Skyworth OLED T...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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