It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 5, 2019, 06:22 AM
https://lesterbanks.com/2019/04/how-to-get-that-gl...
Noble Kreative shows how to get a nice glossy look to a reveal in After Effects. Najib Khayati, also known as Noble Kreative adds to his motion graphics essentials series with a look at creating
April 5, 2019, 06:22 AM
http://www.studiodaily.com/2019/04/autodesk-flame-...
Autodesk Flame 2020 incorporates tools that automate the process of isolating objects in moving footage, making it easier to quickly pull rough mattes for VFX and compositing. Autodesk said new computer vision, photogrammetry and machine-learning techniques have been incorporated in Flame, allowing the forthcoming version of the software to extract motion vectors, Z depth and 3D […] The post Autodesk Flame 2020’s AI Will Be Able to Isolate Objects in Moving Footage appeared first on St...
April 5, 2019, 06:22 AM
http://www.studiodaily.com/2019/04/star-wars-episo...
Indepth Sound Design has assembled a 43-minute collection of detailed observations by sound designer Ben Burtt on his work developing audio effects for the first Star Wars movie. If you don’t have time to watch the whole thing, a detailed table of contents makes it easy to skip ahead and find out, for instance, just exactly […] The post Star Wars: Episode IV Sound Design Explained by Ben Burtt appeared first on Studio Daily.
April 5, 2019, 06:22 AM
https://www.pro-tools-expert.com/home-page/2019/4/...
Ever since we announced the new features Avid have been working on for a Pro Tools 2019 release we have seen speculation as to when we would see the first release of Pro Tools in 2019. Would it be 2019.1? No, so would it be 2019.2? No, surely it’s going to be a 2019.3 release and then March came and went without a Pro Tools 2019 release.
April 5, 2019, 06:22 AM
https://www.provideocoalition.com/stay-tuned-for-d...
Yes we know that Resolve was just updated to version 15.3.1 a day or so ago. When I saw that for a brief second I thought we might not get anything major in Resolve at this year’s NAB. I was wrong.
April 5, 2019, 06:21 AM
https://beforesandafters.com/2019/04/05/the-cgi-ti...
It was recently the 20th anniversary of Brian De Palma’s Snake Eyes, a film perhaps not thought of for any major VFX moments. But, in fact, the movie nearly did feature a key CG water sequence in what was still the early days of fluid sims.
April 5, 2019, 06:21 AM
https://www.slashfilm.com/the-irishman-vfx/
We still haven’t seen any footage of Martin Scorsese‘s The Irishman, and there’s a good reason for that. Scorsese and company are working hard to make the film’s special effects perfect. The movie spans several decades, and rather than cast different actors to play the cast of characters throughout time, Scorsese instead employed the type of de-aging tech Marvel uses. Robert De Niro, who reunites with Scorsese to star in the film, offered some insight into the process.
April 5, 2019, 06:21 AM
https://variety.com/2019/music/news/benjamin-wallf...
This month, three very different projects will showcase three sides of the same composer: a grand-scale symphonic score for a comic-book movie; a hardcore punk sound for a nightmarish supernatural tale; and a surprising combination of orchestra and electronics for an edgier-than-usual nature documentary.
April 4, 2019, 12:24 PM
https://www.aotg.com/audionamix-isolated-isolates-dialogue-for-baywatch/
Audionamix’s Professional Services Division Isolates Dialogue from Baywatch for Remastered Release
#mixing#dialogue#audionamix#baywatchApril 4, 2019, 12:04 PM
http://www.btlnews.com/featured/nab-2019-adobe-cre...
Adobe (Nasdaq: ADBE) has announced performance updates and new innovations for video and audio tools in Adobe Creative Cloud to improve efficiency in video production that will be showcased at the 2019 NAB Show (Booth SL5610). From a wide range of film, TV, broadcast and streaming projects including Clemency, Fox Sports, The Last Black Man […] The post NAB 2019: Adobe Creative Cloud Innovation appeared first on Below the Line.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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