To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Kodachrome, Pt. 1

November 17, 2016, 01:38 PM

http://boingboing.net/2016/11/17/kodachrome-pt-1.h...

Color slides were once the state of the art in family photography -- vibrant, immersive, ubiquitous. So ubiquitous, in fact, that millions, maybe billions of them survive. A conversation with midcentury pop culture expert Charles Phoenix: What can we learn from the vast shadow world of abandoned slides about the way we used to live in our homes?

Colorist Podcast: Episode 006: Rob Bessette

November 15, 2016, 01:12 PM

http://coloristpodcast.com/episode-006-rob-bessett...

Rob Bessette joins me on this episode of the Colorist Podcast. Rob is a senior colorist at Finish Boston and specializes in coloring commercials. With over 11 years of experience, Rob has had the opportunity to color spots for Toyota, Coca Cola, Sam Adams, Subway, Chili’s, Dunkin’ Doughnuts, and many others.

SGO to reveal Mistika 8.7 capabilities at InterBEE

November 15, 2016, 10:19 AM

http://www.sgo.es/2016/11/sgo-to-reveal-mistika-8-...

SGO will be showcasing Mistika version 8.7 with exclusive demonstrations on VR, HDR, Colour grading, 4K and 8K capabilities at

Ozzy Completed Using DaVinci Resolve Studio

November 10, 2016, 04:34 PM

https://www.aotg.com/ozzy-completed-using-davinci-resolve-studio/

Blackmagic Design today announced that Barcelona based post production house, Moonlight Cinema, has completed both the digital intermediate and finishing of the new children’s animated film “Ozzy” on DaVinci Resolve Studio.

#color grading#post production#animation
The Color of “Flesh & Blood”: How to Grade a F

November 9, 2016, 06:35 AM

https://www.aotg.com/the-color-of-flesh-blood-how-to-grade-a-f/

Basic tips on color correction using DaVinci Resolve - a free color grading software (1080 HD). It's not always about making a pretty image.

NYC – ICA 101: An Introduction to Colorist Strat

November 7, 2016, 10:37 AM

http://feedproxy.google.com/~r/industryhappenings/...

Our three-day intensive workshop is a great introduction to Resolve Mac V12.5 software. This class is ideal for first time users, you do not need to be a Colorist or have had previous grading or Resolve experience. The class mixes the operational side of Resolve with some practical real world training on workflows, basic color theory, grading approaches and techniques. Day One:   Introduction to Resolve V12.5 A complete demo of the system, looking at every area of the new software and how...

NYC – ICA 201: Advanced Colorist Strategies with

November 7, 2016, 06:34 AM

http://feedproxy.google.com/~r/industryhappenings/...

This two-day class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning. What You Will Learn in ICA 201: Start with dailies. Grade a look for editing from the RAW camera files Making a LUT, exporting LUTs and Looks Render ProRes or DNxHD for offline editing, H264...

Colorfront ports 4K Transkoder to Mac and talks 8K

November 7, 2016, 06:33 AM

http://www.redsharknews.com/post/item/3916-colorfr...

Colorfront’s popular tool for DCP and IMF mastering gets a Mac Pro-oriented release, while the PC version adds 8K power and lots of new functionality. ColorfrontTranskoderTranskoder 2016IMFDCPTranscodingHDRQC

Colour Matching Two Cameras Using 3D LUT Creator

November 7, 2016, 06:32 AM

http://cinescopophilia.com/colour-matching-two-cam...

Oleg Sharonov demonstrates a technique to colour match the look of two cameras using the 3D LUT Creator software programme.

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