It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 28, 2016, 10:56 AM
https://www.aotg.com/blackmagic-design-announces-davinci-resolve-12-5-3/
Update adds support for new version of Final Cut Pro X, improved ACES color management and more!
#editing#color grading#post production#color correction#acesOctober 27, 2016, 01:44 PM
https://www.aotg.com/red-giant-announces-magic-bullet-suite-13/
Color correction tools with OpenCL support for real-time playback in Adobe Premiere Pro CC. Every tool re-engineered and GPU-accelerated. Guided Color Correction workflow. Denoiser III: the best video noise removal tool now becomes the fastest. Brand new Renoiser plug-in brings true Hollywood grit.
#editing#red giant#post production#color correction#magic bulletOctober 27, 2016, 03:16 AM
http://jonnyelwyn.co.uk/film-and-video-editing/coo...
Learn from some masterful colorists, check out my review of LowePost colorist community site, listen to colorists podcasts and much more!
#color grading#colorists#film colorists#colour grading interviews#lowepostOctober 24, 2016, 12:15 PM
http://www.studiodaily.com/2016/10/josh-haynie-mov...
Josh Haynie has been named VP of U.S. operations, working out of Light Iron's Hollywood facility. He wil be charged with helping manage the company's growth under Panavision's ownership. "To continue on this trajectory, we're bringing in a leader to … more » The post Josh Haynie Moves from Efilm to Light Iron appeared first on Studio Daily.
October 21, 2016, 09:28 AM
http://www.4kshooters.net/2016/10/21/the-awesome-d...
Let’s face it! There are so many online resources regarding color grading available out there already that it’s quite easy to get lost and feel overwhelmed while searching for the most valuable ones. Unfortunately, it becomes harder and harder, especially for newbie filmmakers and enthusiasts alike just starting out to find the ultimate online resource that provides all the basics of learning DaVinci Resolve 12.5 laid out in a simple and easy to follow manner. It seems that Dubai-based DP, c...
October 20, 2016, 12:25 PM
http://postperspective.com/review-tangent-ripple-c...
By Brady Betzel Lately, it feels like a lot of the specializations in post production are becoming generalized and given to the “editor.” One of the hats that the editor now wears is that of color corrector — I’m not saying we are tasked with color grading an entire film, Continue reading →October 20, 2016
October 20, 2016, 08:39 AM
https://www.sigmaphoto.com/article/sigma-cine-high...
Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses begin shipping on December 9 for a retail price of $3999.00 USD
#filmmaking#lenses#cinematography#television#moviesOctober 17, 2016, 10:07 AM
https://www.aotg.com/davinci-resolve-studio-grades-maxs-music-video/
Blackmagic Design today announced that URSA Mini 4.6K EF was used to shoot the music video for “Lights Down Low” by MAX. Blackmagic Design Video Assist 4K was used for 4K monitoring and recording on the intensely packed two day shoot, while DaVinci Resolve Studio was used for color grading the video.
#color grading#post production#color correctionOctober 17, 2016, 05:52 AM
http://www.redsharknews.com/post/item/3866-color-f...
RedShark Review: Ned Soltz takes Denver Riddle’s ACES-compatible $149 Color Finale Pro for a spin and is impressed with what he finds. Color Finale ProXRite Color Checker Passport VideoGradingFCP XColor Correction
October 12, 2016, 04:58 PM
http://postperspective.com/the-color-and-sound-of-...
The Get Down, Baz Luhrmann’s new series for Netflix, tells the story of the birth of hip-hop in late 1970s in New York’s South Bronx. The show depicts a colorful world filled with colorful characters, all pulsating to the rhythms of an emerging musical form. Shot on the Red Dragon and Weapon in 6K, Continue reading →October 12, 2016
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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