It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
January 22, 2019, 05:25 AM
https://www.artofvfx.com/the-girl-in-the-spiders-w...
Come have a look at how Pixomondo enhanced the various stunts and locations for THE GIRL IN THE SPIDER’S WEB...
January 22, 2019, 05:24 AM
https://news.creativecow.net/story/895451
(Los Angeles, CA--January 15, 2019) Today, the Visual Effects Society (VES), the industry’s professional global honorary society, announced the nominees for the 17th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials and video games and the VFX supervisors, VFX producers and hands-on artists who bring this work to life. Avengers: Infinity War garners the most feature film nominatio...
January 22, 2019, 05:24 AM
https://www.digitalproductionbuzz.com/2019/01/digi...
Tonight, we catch up on the "younger generation" to discover their views on the future of media and what excites them about their careers. As well, we learn about a new mentoring program and an inside update on industry news. Join host Larry Jordan as he talks with Jonathan Handel, Paulina Borowski, Trevor Horton, Madeline Leach, Sadie Groom and James DeRuvo. Reporting the "Temperature" of Media A Student's Perspective on Media An Accidental Editorial Career Using Mentors to Buil...
January 22, 2019, 05:24 AM
https://www.connerpro.com/puff/
Introducing Conner Production’s latest free FCP X Template: Puff. Puff allows you to make a beautiful swirl of colors with your text. It’s visually impressive, but not distracting. Check it...
January 21, 2019, 06:56 PM
https://lesterbanks.com/2019/01/create-uv-based-we...
FX TD Fabricio Chamon shows how to create a UV-based wetmap in Houdini that is independent of a geometry’s resolution. Maps really drive a lot of 3D work from a cavity, occlusion, and normal maps
January 21, 2019, 06:56 PM
http://renderplease.tumblr.com/post/182192819995
January 21, 2019, 06:55 PM
https://fxfactory.com/blog/effects-2/3d-ipad-anima...
Now includes detailed models of the new iPad Pro.
January 21, 2019, 06:53 PM
https://motionworks.net/cinema-4d-to-rizomuv-to-su...
I just started using Rizom UV and spent some time working out a possible workflow between Cinema 4D and Substance Painter via Rizom UV. Check out Part 2 to see how I solved the multiple UV Set issue and also more detail on the Substance Painter Live Link workflow.
January 21, 2019, 06:53 PM
https://www.aotg.com/andrew-stark-sound-supervisor-interview/
In this episode we talk with Andrew Stirk about the sound work he did as the Sound Supervisor and re-recording engineer, on the recent film "A Private War". We discuss the films gritty, almost documentary-like approach to sound and the times when they threw the realism out the window to create impactful moments in the story.
January 21, 2019, 06:53 PM
https://news.creativecow.net/story/895497
(January 18, 2019) (Los Angeles, CA--January 18, 2019) The Los Angeles Section of the Audio Engineering Society and the Hollywood Section of the Society of Motion Picture and Television Engineers® (SMPTE®) will host a joint meeting this month exploring sound production for Columbia Pictures and Sony Pictures Animation’s Golden Globe®-winning feature film Spider-Man™: Into the Spider-Verse. The meeting is slated for Thursday, January 31 at the Sony Pictures Studio lot in Culver City, Calif...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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