It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 20, 2018, 02:02 PM
https://postperspective.com/stitch-la-editor-cuts-...
Stitch LA‘s Weston Cadwell has cut his first feature, The Panama Papers for director Alex Winter. This documentary focuses on the coordination of journalists from around the world, working in secret to expose the largest data leak in history. This was a global corruption scandal involving fraudulent power brokers, the uber-rich, Continue reading → December 20, 2018 The post Stitch LA editor cuts first feature doc The Panama Papers appeared first on Randi Altman's postPerspective.
December 20, 2018, 02:01 PM
https://lesterbanks.com/2018/12/matrices-local-spa...
FX TD Fabricio Chamon Gives a Comprehensive Overview for Working With Houdini Matrices and Local Space Transforms. If you are not a mathematician, when someone mentions matrices and local space transforms, your eyes may glaze
December 20, 2018, 02:01 PM
http://renderplease.tumblr.com/post/181272479770
December 20, 2018, 02:01 PM
https://www.provideocoalition.com/with-filmic-log-...
The new FiLMiC Pro LOG V2 delivers over 12 stops of dynamic range for newest iPhone X models, rivaling the Blackmagic Pocket Cinema Camera, says the company behind the product.
December 20, 2018, 02:01 PM
https://doddlenews.com/davinci-resolve-tutorial-pa...
In our previous lesson of our look at learning BlackMagic Design’s DaVinci Resolve, we discussed color correcting the Lift, Gamma and Gain luminance levels by working with the Primaries Bars inside of the Color Module of DaVinci Resolve. Well, this lesson is all about Color, and we’re going to use the Color Wheels to correct the color of the Lift, Gamma and Gain of a shot that needs color correcting.
December 20, 2018, 02:01 PM
https://nofilmschool.com/2018/12/editready-adds-bl...
EditReady, if you don't already know, is the fastest transcode application on the street.
December 20, 2018, 02:01 PM
https://www.goldderby.com/article/2018/barry-alexa...
When Spike Lee sent his longtime editor, Barry Alexander Brown, the script for “BlacKkKlansman” he was immediately “excited, and could see how this could be something pretty interesting.” That may be a bit of an understatement since the film recounts the improbable true story of Ron Stallworth (John David Washington), an African-American police officer who infiltrated the Ku Klux Klan in the late 1970s. Watch our exclusive video interview with Brown above.
December 20, 2018, 12:03 PM
https://www.aotg.com/mars-2020-rover-to-capture-sound-on-the-red-planet/
Company’s d:dicate™ 4006 Omnidirectional Microphones and its MMA-A Digital Audio Interface Onboard for Historic Mission
#dpa#dpagan communicationsDecember 20, 2018, 10:22 AM
https://www.artofvfx.com/fantastic-beasts-the-crim...
In 2017, Andy Kind told us about Framestore‘s work on PADDINGTON 2. He explains today his work on FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD.
December 20, 2018, 10:22 AM
https://www.provideocoalition.com/batch-export-cli...
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how you can export individual clips from a timeline as a batch in Final Cut Pro X.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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