To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Learn How to Use the Morpheus Rig System

December 20, 2018, 10:19 AM

https://lesterbanks.com/2018/12/learn-morpheus-rig...

CGMonastery Announces Morpheus Rig System (MRS) Makers Workshop Teaching How to Start Building Rigs Using MRS. The Morpheus Rig is a popular one among Artists and Animators alike. What started as a highly flexible rig,

Inside the mind and workflow of a 14-year-old film

December 20, 2018, 10:19 AM

https://postperspective.com/inside-the-mind-and-wo...

By Brady Betzel From editing to directing, I have always loved how mentoring and teaching is a tradition that lives on in this industry. When I was an assistant editor, my hope was that the editors would let me watch them work, or give me a chance to edit. And a lot of the time I got that opportunity. Continue reading → December 20, 2018 The post Inside the mind and workflow of a 14-year-old filmmaker appeared first on Randi Altman's postPerspective.

Acclaimed Editor Anne McCabe, joins Our Next Six W

December 20, 2018, 10:19 AM

http://manhattaneditworkshop.blogspot.com/2018/12/...

MEWShop proudly announces that acclaimed editor Anne McCabe, ACE, will join our January/February 2019 Six Week Intensive.Anne McCabe started in the cutting rooms of Woody Allen, Brian de Palma, and Sidney Lumet. She has collaborated with Director Greg Mottola on several projects, including The Daytrippers, Adventureland, and the award-winning pilot for HBO’s The Newsroom. She also worked closely with Kenneth Lonergan on the Academy Award-nominated film You Can Count On Me, and Mar...

Free Sound Effects Available For A Limited Period

December 20, 2018, 05:39 AM

https://www.pro-tools-expert.com/home-page/2018/12...

The Holiday Period - Get Them Before They Are Gone We have noticed a number of sound effects providers are putting out some free sound effect libraries or samplers for a limited period over the Christmas holiday period. Most of these are time limited so do not delay. Get them before they are gone.

Joe Walker on Cutting Widows

December 20, 2018, 05:39 AM

https://filmmakermagazine.com/106489-joe-walker-st...

“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (...

Black Panther and The Editing Oscar Race

December 20, 2018, 05:39 AM

https://www.goldderby.com/article/2018/black-panth...

“I always felt the weight of the film,” reveals “Black Panther” editor Debbie Berman. “I knew how important it would be to people, but I never in a million years saw it blowing up the way it did.” Watch our exclusive video interview with Berman and co-editor Michael P. Shawver above.

Marker Keywords in DaVinci Resolve 15

December 20, 2018, 05:39 AM

https://www.provideocoalition.com/marker-keywords-...

Recently I posted an article called DaVinci Resolve is a few steps away from Range-based Keywording. It was an exploration of how a combination of small featured in Resolve 15 can come together to sort of emulate Final Cut Pro X’s Range-based keywording.

Why Attend Connect 2019 in Las Vegas? Just Ask Kev

December 20, 2018, 05:39 AM

http://www.avidblogs.com/avid-connect-kevin-tutaj/

The post Why Attend Connect 2019 in Las Vegas? Just Ask Kevin Tutaj! appeared first on Avid Blogs.

Making audio pop for Disney’s Mary Poppins Retur

December 20, 2018, 05:38 AM

https://postperspective.com/making-audio-pop-for-d...

By Jennifer Walden As the song says, “It’s a jolly holiday with Mary.” And just in time for the holidays, there’s a new Mary Poppins musical to make the season bright. In theaters now, Disney’s Mary Poppins Returns is directed by Rob Marshall, who with Chicago, Nine and Into the Woods on his resume, Continue reading → December 19, 2018 The post Making audio pop for Disney’s Mary Poppins Returns appeared first on Randi Altman's postPerspective.

Image Sharpener for Final Cut Pro X

December 20, 2018, 05:38 AM

https://fxfactory.com/blog/effects-2/image-sharpen...

Artifact-free sharpness enhancer for all your video.

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