To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Last Call: Digital Bolex D16 to be Discontinued

June 28, 2016, 10:04 PM

http://www.provideocoalition.com/last-call-digital...

A blog post from Elle Schneider on the Digital Bolex site reveals the sad news: after 30 June 2016 at 11:59 PDT (that’s this Thursday night, folks), the D16 digital cine camera will no longer be sold. The website and support functions will continue, but the camera itself will no longer be available. No details were provided behind The post Last Call: Digital Bolex D16 to be Discontinued appeared first on ProVideo Coalition.

NahidRains Pictures Uses Blackmagic Design Cameras

June 28, 2016, 11:14 AM

https://www.aotg.com/nahidrains-pictures-uses-blackmagic-design-cameras/

Blackmagic Design today announced that NahidRains Pictures, a production and postproduction company based in Chittagong, Bangladesh, is producing programs with Blackmagic Design’s URSA, Production Camera 4Ks, Blackmagic Cinema Camera, Pocket Cinema Cameras and DaVinci Resolve Studio for BTV Chittagong, a television channel affiliated to Bangladesh’s largest television network Bangladesh Television (BTV).

#post production#color correction#camera#tv
The Basic Properties of Color

June 24, 2016, 08:50 PM

http://www.premiumbeat.com/blog/basic-properties-c...

Color is one of the most important tools you have in your kit. Do you understand the best ways to use it? Here are the basics.

Advanced Finishing in DaVinci Resolve

June 24, 2016, 05:51 AM

https://www.aotg.com/advanced-finishing-in-davinci-resolve/

In this one hour training, special guest presenter & finishing artist Dan Harvey shows Blackmagic DaVinci Resolve users how the new Continuum Complete 10 OFX plug-ins can be used to complement professional color grading & finishing projects.

NYC – B&H: Advanced Color Grading with Avid & Ba

June 23, 2016, 10:01 PM

http://feedproxy.google.com/~r/industryhappenings/...

If you are an editor, a colorist or both, don’t miss the Studio-B&H special presentations on integrating the award-winning Baselight color grading software with Avid Media Composer editing features. During each of our two sessions, FilmLight will introduce the latest version of Baselight for Avid alongside the premium, compact control panel, Slate. You will see how a colorist and editor can collaborate using the full power of Baselight on an Avid timeline. This workflow gives the facility ...

#baselight#avid media composer
Color Psychology

June 23, 2016, 09:49 PM

http://www.studiodaily.com/2016/06/color-psycholog...

From innocence (pink) to erotism (purple), editor Lidia Mtz-Seara takes a shot at identifying the states of mind signaled by different color choices in scenes from 61 different movies. Some moments NSFW (depending, of course, on where you work)! The post Color Psychology appeared first on Studio Daily.

#color psychology
Assimilate releases Scratch VR Suite 8.5

June 22, 2016, 10:05 AM

http://www.postmagazine.com/Press-Center/Daily-New...

SANTA CLARA, CA — Assimilate (www.assimilateinc.com) has released Version 8.5 of its Scratch VR Suite - the company’s professional, realtime VR toolset for working within a 360-degree environment. Scratch VR Suite 8.5 extends its headset support to now include the HTC Vive headset. The release also supports the Oculus Rift VR and smartphone-powered headsets, such as SamsungGR and Google Cardboard for its online player. 

Match Moving Skies & Lens Flares In DaVinci Resolv

June 22, 2016, 04:26 AM

http://www.digimediapros.com/match-moving-skies-le...

In this tutorial, our special guest presenter Ben Brownlee, is back to show us how easy it is to track a still shot of a Sky that was composited (keyed) against a moving shot inside of a car looking out through the windshield.

COLOR PSYCHOLOGY

June 21, 2016, 12:15 PM

https://www.aotg.com/color-psychology-2/

We're conditioned to associate certain colors with thoughts, emotions, or situations, a fact that directors take advantage of constantly. "COLOR PSYCHOLOGY" illustrates just how deep the effects can be.

Cinematic Color Grading in Adobe Photoshop – Pt.

June 20, 2016, 12:10 PM

http://blogs.adobe.com/creativecloud/cinematic-col...

In this multi-part tutorial, you’ll learn how to create a movie-like effect by using color grading techniques in Adobe Photoshop.  We’ll focus on re-creating the look of a summer blockbuster action film using adjustment layers. The term “color grading” is usually reserved for film, but it is now being used to describe creative color corrections in photography. Keep in mind that what we are doing is applying a color style to an image to convey a story.  There are no rules as to...

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