To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Capturing realistic dialogue for The Front Runner

November 29, 2018, 01:30 PM

https://postperspective.com/capturing-realistic-di...

By Mel Lambert Early on in his process, Front Runner director Jason Reitman asked frequent collaborator and production sound mixer Steve Morrow, CAS, to join the production. “It was maybe inevitable that Jason would ask me to join the crew,” says Morrow, who has worked with the director on Labor Day, Continue reading → November 29, 2018 The post Capturing realistic dialogue for The Front Runner appeared first on Randi Altman's postPerspective.

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4th Annual Sight, Sound & Story: The Art of Cinema

November 29, 2018, 01:30 PM

http://lappg.com/4th-annual-sight-sound-story-the-...

An Evening Featuring In-Depth Conversations with Master Filmmakers Set for December 5th    Manhattan Edit Workshop, the east coast leader in education for content creators, announces the return of “Sight, Sound & Story: The Art of Cinematography” on December 5th at the NYIT Auditorium Theater on Broadway.  This year’s event showcases some of the industry’s leading cinematographers behind worldwide […] The post 4th Annual Sight, Sound & Story: The Art of Cinematography Sympo...

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When I finally get credit for something I did at w

November 29, 2018, 10:11 AM

http://renderplease.tumblr.com/post/180623356190

0 0 0 Humour
What’s New in Sibelius 2018.11

November 29, 2018, 10:10 AM

http://www.avidblogs.com/sibelius-2018-11/

The post What’s New in Sibelius 2018.11 appeared first on Avid Blogs.

0 0 0 Industry News
UV Toolkit Gets New Unfold and Layout Features

November 29, 2018, 10:10 AM

https://lesterbanks.com/2018/11/uv-toolkit-new-unf...

Erik Lehmann’s UV Toolkit Gets New Features and Enhancements Streamlining UV workflows in Maya. UV Toolkit is a tool that automates and simplifies aspects of the recurring UV unfold and layout process in Maya, but

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Water-Inspired Effects for Final Cut Pro X

November 29, 2018, 10:10 AM

https://fxfactory.com/blog/effects-2/water-inspire...

64 water-inspired titles, logo animations and transitions in your hands to get your juices flowing!

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Crazy Mask Transition in AE

November 29, 2018, 10:10 AM

https://www.4kshooters.net/2018/11/29/check-out-th...

Tackling visual effects and complex animations don’t necessarily require lots of third-party tools or advanced techniques. As long as you understand the creative assets available at your disposal, especially in compositing platforms like Adobe After Effects, attaining a unique visual style to your footage is more than possible to achieve.

0 0 0 Tutorial
The Sounds of Alfonso Cuaron Films

November 29, 2018, 10:10 AM

https://www.aotg.com/the-sounds-of-alfonso-cuaron-films/

While we spend quite a lot of time discussing film as a visual medium (and for good reason), less time is tasked with discussing the aural pleasures that the artform provides. With Alfonso Cuarón's Roma opening in theaters and premiering on Netflix later this season, the good folks at Fandor have decided to pay long overlooked attention where its due: to the filmmaker's complex, ear-tingling sound design.

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Pond5 Introduces More Ways to Discover Video

November 29, 2018, 08:43 AM

https://www.aotg.com/pond5-introduces-more-ways-to-discover-video/

Newest component of Pond5’s AI-powered Visual Search tool lets customers discover compelling video by searching based on the color palette of a selected image

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#pond5
Efilm handles color finishing on Creed II

November 29, 2018, 07:13 AM

http://www.postmagazine.com/Press-Center/Daily-New...

HOLLYWOOD — Director Steven Caple Jr’s sophomore feature Creed II (www.creedthemovie.com), from Metro Goldwyn Mayer Pictures and Warner Bros. Pictures, chronicles the next chapter of the Adonis Creed story. The film follows the young boxer’s life as he deals with a fearsome new opponent, his newfound fame, and his father Apollo’s legacy.  Creed II stars Michael B. Jordan and Sylvester Stallone. 

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