To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Foundry Releases Katana 3.1
November 29, 2018, 07:13 AM
https://www.awn.com/news/foundry-releases-katana-3...
LONDON -- Leading creative software developer, Foundry, today announced the release of Katana 3.1, the latest update to its flagship look development and lighting tool. The new version incorporates a range of updates that will help artists achieve even more complex and creative results faster. Katana 3.1 brings advancements that further enable studios to remain competitive in an industry with challenging schedules and ambitious client goals. Features continue to place artists and users at the co...
Tom Cross, ACE on editing "First Man"
November 29, 2018, 07:13 AM
https://www.provideocoalition.com/aotc-first-man
Tom Cross, ACE won an Oscar for Best editing for Whiplash, and was nominated for Oscars and La La Land. He was also nominated for ACE Eddies for Whiplash and Joy and won for La La Land.
Getting the Perfect Camera Match using fSpy
November 28, 2018, 01:25 PM
https://lesterbanks.com/2018/11/perfect-camera-mat...
Chipp Walters Offers a Free Course Showing How to Get the Perfect Photo and Camera Match With fSpy and Blender. Once upon a time, there was a Blender Addon called Blam. The tool allowed you
PLEASE! Apple, Some usability Tweaks for FCPX
November 28, 2018, 01:24 PM
https://doddlenews.com/larry-jordan-please-apple-u...
Apple has updated Final Cut Pro X twenty-eight times since its initial release in June, 2011. Some of those updates have been significant, others less so.
Foundry introduces V.3.1 of Katana look developmen
November 28, 2018, 11:16 AM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Foundry (www.foundry.com) has announced updates to Katana, its flagship look development and lighting tool. Version 3.1 incorporates a range of updates that will enable artists to achieve more complex and creative results faster.
Digital Production Buzz – November 29, 2018
November 28, 2018, 11:16 AM
https://www.digitalproductionbuzz.com/2018/11/digi...
We are used to pressing a button and having the words on screen appear on paper. But, today, we can press a button and have the object on our screen printed using a 3D printer. In tonight's show, we look at what these things are, how they work, and how they are used in education and media. Join host Larry Jordan as he talks with Joel Telling, Braydon Moreno, John Jordan and James DeRuvo. Get Started with 3D Printing Pick the Right 3D Printer 3D Printing in Education 3D Printing in Me...
How to Use Maya’s Evaluation Toolkit to Test Rig
November 28, 2018, 11:16 AM
https://lesterbanks.com/2018/11/maya-evaluation-to...
Jarred Love Covers Working With Evaluation Speed Tests Using Maya’s Evaluation Toolkit. Working with a node-based playground ensures that you are always able to create what you want. It might not be the most efficient,
Getting a sequence from a Producer like
November 28, 2018, 11:16 AM
http://renderplease.tumblr.com/post/180590823865
Full-service post house targeting TV, film opens i
November 28, 2018, 11:15 AM
https://postperspective.com/full-service-post-hous...
Mexico City is now home to Cinematic Media, a full-service post production finishing facility focused on television and cinema content Located on the lot at Estudios GGM, the facility offers dailies, look development, editorial finishing, color grading and other services, and aims to capitalize on entertainment media production in Mexico and throughout Central and South America. Continue reading → November 28, 2018 The post Full-service post house targeting TV, film opens in Mexico Ci...
How to Render a Realistic Watermelon Slice With C4
November 28, 2018, 11:15 AM
https://lesterbanks.com/2018/11/realistic-watermel...
Valeriy Seleshko Creates Realistic Materials for a Slice of Watermelon in Cinema 4D Using Redshift. It’s not an everyday material, but one that poses some challenges and is an excellent study. 3D artist Valeriy Seleshko
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.