It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 16, 2016, 12:09 PM
https://www.aotg.com/x-men-color-and-costumes/
A look at the meaning behind superhero costumes and how they characterize the X-Men.
May 13, 2016, 12:07 PM
https://www.aotg.com/color-theory/
A super colorful supercut that gives you a taste of the rainbow in feature film form.
May 12, 2016, 02:12 AM
http://jonnyelwyn.co.uk/film-video-editing-tools-f...
Want to learn DaVinci Resolve from Professional Colorists? Check out this epic round up of tips and tutorials to help you get to grips with the latest features in Resolve 12.5 Plus a look at understanding ACES
#colour grading#colour correction#aces#new features in resolve#davinci resolve 125May 11, 2016, 09:50 AM
https://www.aotg.com/ursa-mini-4-6k-shoots-aaron-carters-fools/
Blackmagic Design today announced that URSA Mini 4.6K digital film camera was used to shoot the music video for Aaron Carter’s new hit single “Fool’s Gold.” DaVinci Resolve Studio was also used to grade the music video by Colorist Robert Crosby at L.A.-based post production studio Coyote Post.
#color grading#post production#camera#music videoMay 11, 2016, 04:34 AM
http://cinescopophilia.com/rocket-rooster-mega-mon...
Check out the new Rocket Rooster Mega Monochrome pack, a bundle made up of all the Rocket Rooster Monochrome LUTs plus a few new ones, there's over 70 of them!
May 10, 2016, 05:23 AM
http://feedproxy.google.com/~r/norendercom/~3/0vzl...
Conformado En este vídeo explicamos uno de los temas que más problemas suele dar en […]
May 9, 2016, 04:20 PM
http://www.4kshooters.net/2016/05/10/enhanced-log-...
In the latest version of DaVinci Resolve 12.5, Blackmagic Design overhauled the Log grading controls along with the overall approach these settings affect colours. Currently, they provide much smoother and more pleasing results, especially when it comes to color grading Log-encoded images. All in all, now there are two ways of using the Log mode controls. On one hand, you can utilise these settings to make quick, colour grading adjustments to your Log footage while it’s normalised by a LUT. Th...
May 9, 2016, 11:01 AM
http://www.premiumbeat.com/blog/employ-the-usage-t...
Removing unused clips from a large media pool makes any DaVinci Resolve project easier to manage, but how do you know what's being used and what isn't?
May 9, 2016, 11:01 AM
http://www.sgo.es/2016/05/mistika-pushes-performan...
“Unwrapped VR images routinely demand high resolutions and the additional GPU memory of the Quadro M6000 will help Mistika users
May 9, 2016, 10:59 AM
http://www.provideocoalition.com/transcode-before-...
There are a lot of misconceptions about transcoding, and discussions on transcoding pop up in forums and groups quite often. This is an attempt to bring some facts and practical advice on the table. The Myth we’re busting: Transcoding your 8-bit source material to 10-bit will magically make it more robust, so you can do The post Should you transcode before Color Grading in Adobe Premiere? appeared first on ProVideo Coalition.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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