It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 19, 2013, 05:33 AM
http://news.creativecow.net/story/873772
(December 19, 2013) For Arcade Fire’s new release the Montreal band commissioned "Afterlife," a film directed by Emily Kai Bock and produced by The Creators Project (a partnership between Intel and VICE). The film is a captivating seven-minute plus journey through nightmares, lost lovers, and familial bonds and has been touted by Huffington Post as more captivating than many of this year’s feature films. The dreamy, moody and captivating film was shot on 65mm and 35mm by DP Evan Prosofsky an...
December 19, 2013, 05:33 AM
http://www.cinema5d.com/news/?p=22589
Today he posted a link to about 10 GB worth of 4K (UltraHD, 3840 x 2160 pixels) ungraded ProRes clips from their upcoming new 4K Production Camera (the footage was acquired in ProRes, he did not touch RAW footage).
December 16, 2013, 05:37 AM
http://splicevine.com/multimedia-foundations/
Hand Held Hollywood’s Filmmaking with the iPad & iPhone, 3D CG Color Management Handbook, Multimedia Foundations and iPhone Millionaire: How to Create and Sell Cutting-Edge Video Hand Held Hollywood’s Filmmaking with the iPad & iPhone Expect more video being shot on iPhones in […]
December 12, 2013, 08:04 PM
http://blogs.adobe.com/creativecloudenterpriseupda...
This update provides a number of critical fixes and product enhancements.
December 9, 2013, 11:26 AM
http://www.fcp.co/final-cut-pro/articles/1293-blac...
Something to do whilst we bite our nails waiting for the FCPX update! Blackmagic Design has published seven customer profile videos of professional colourists who use DaVinci Resolve.
December 6, 2013, 11:42 AM
http://jonnyelwyn.co.uk/film-video-editing-tools-f...
Check out this round up for tons more insider info on what it takes to be a working DIT. Packed full of resources on DIT gear, file and color management workflow approaches and lots of info on codecs and compression, there's something for everyone.
#workflows#codecs#compression#dit#how to be a dit#color management#enders gameDecember 5, 2013, 10:50 AM
http://www.legitreviews.com/powercolor-turboduo-r9...
Taipei, Taiwan –Dec. 5th, 2013 – TUL Corporation, a leading manufacturer of AMD graphic cards, today launches another high performance model which belongs to TurboDuo series, the PowerColor TurboDuo R9 280X OC. Featuring the most innovative GCN architecture, the TurboDuo R9 280X OC fully utilizes the AMD Eyefinity technology, and support ultra high resolution gaming, providing unrivaled performance without sacrifice a single detail.
December 5, 2013, 05:47 AM
http://www.digitalproductionbuzz.com/2013/12/digit...
On the Digital Production Buzz, Larry Jordan and Michael Horton talk with guests Guisela Moro, Jessica Sitomer, Brian Drewes, and Cirina Catania about: Lessons Learned Directing a Feature Film The Secrets to Being Grateful Surviving in the Motion Graphics Industry Special Report from 2013 GV Expo
December 4, 2013, 02:13 PM
http://news.creativecow.net/story/873810
Atomos Spyder is available now giving one touch advanced color calibration to the Atomos Samurai Blade...
December 4, 2013, 10:24 AM
http://postperspective.com/2013/12/meet-the-colori...
NAME: Tristan Kneschke COMPANY: New York City-based Exit Editorial (www.exitedit.com) CAN YOU DESCRIBE YOUR COMPANY? My one-man company provides offline editorial services and specializes in color grading. I have a fully mobile DaVinci Resolve kit that I messenger around town in cases for clients without resources to put together their own system. I set up […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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