It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 4, 2013, 10:22 AM
http://www.creativeplanetnetwork.com/the_wire/2013...
Buenos Aires, Argentina: Dec. 3, 2013… Qube Cinema has sold its digital cinema servers and DCP mastering software to Cinecolor postproduction facilities in five Latin American countries. Each of the Cinecolor post houses – in Argentina, Chile, Brazil, Mexico and Columbia – now has a Qube XP-D server in its screening room for QC of its DCPs. Cinecolor Argentina and Columbia also use QubeMaster Pro for mastering DCPs. The DCP mastering and QC equipment enable Cinecolor to meet the growing de...
December 3, 2013, 01:55 PM
http://news.creativecow.net/story/873778
XP-D Digital Cinema Servers and QubeMaster Pro Mastering Software Sales in Five Countries
December 3, 2013, 05:38 AM
http://events.creativecow.net/event/3226/digital-t...
Digital Technician: On Set LUT Creation 101- 1D & 3D LUTs - conference-seminar Burbank California United States
December 3, 2013, 05:36 AM
http://www.redsharknews.com/technology/item/1275-r...
RED, the makers of the beyond-4K cinema cameras, have a vested interest in making you want these higher resolutions. But they do explain it very well RED4KUpscalingInterpolationExtrapolation
November 28, 2013, 10:52 AM
http://wolfcrow.com/blog/how-to-create-offline-dai...
Chadwick Shoults shows us how to create offline dailies with Blackmagic Design DaVinci Resolve 10 for use in Avid Media Composer.
November 26, 2013, 11:11 AM
http://www.tvbeurope.com/main-content/full/blackma...
After a short delay caused by issues related to the sensor, Blackmagic Design says its £2500 4K Super 35mm digital camera will ship this quarter. “The entire world will buy Ultra HD at some point,” predicts CEO and founder Grant Petty. “The increasing pixel density of screens make it logical. In Europe, Ultra HD is important because broadcasters have been hobbled by electing 1080i rather than 1080p HD, so the jump in resolution to 4K will be felt.
November 25, 2013, 10:54 AM
http://filmmakermagazine.com/82531-davinci-resolve...
DaVinci Resolve began life as a high-end grading tool found in expensive color suites. Its purchase by Blackmagic hasn’t lessened its sophistication – they’ve continued to expand its tool set – but it has seen the software’s price lowered substantially, a free “lite” version released, and a redesign of its UI that has made it a lot friendlier to new users. Resolve is still a complicated and sophisticated tool, and color grading is a skill that can take a lot of study to master, but...
November 21, 2013, 07:50 PM
http://training.abelcine.com/event/digital-technic...
LUTs (Look Up Tables) can be very important when shooting in Log modes, and this class will demonstrate the process of creating LUTs for cameras like the ALEXA, Sony F3, and RED Epic, along with how to apply them in post. Participants will go through the step-by-step creation process using both hardware and software methods.
November 21, 2013, 02:45 PM
http://www.retooled.net/?p=1480
In this video we go over a tip to let you easily turn your color grading on and off for ALL of your clips at once when using the new Direct Link between Premiere Pro CC and SpeedGrade CC. Follow us at @reToolednet on Twitter. twitter.com/reToolednet Like us on Facebook at facebook.com/retooled.net Follow us [...]
November 21, 2013, 02:44 PM
http://thedissolve.com/news/972-theres-a-color-ver...
His mom said making the movie in color “would be stupid.”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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