It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 25, 2016, 11:44 AM
http://www.philiphodgetts.com/2016/05/lunch-with-o...
Lunch with independent video/film editor, colorist, post production supervisor and consultant Oliver Peters.
May 25, 2016, 11:44 AM
http://www.provideocoalition.com/360vr-final-cut-p...
This week on MacBreak Studio, we move to Part 2 of our exploration into working with 360VR footage in Final Cut Pro X. If you missed Part 1, be sure to check it out here. As opposed to creating 360VR content to be viewed in an HMD (head-mounted display) like an Oculus Rift or HTC The post 360VR in Final Cut Pro X Part 2 appeared first on ProVideo Coalition.
May 25, 2016, 11:43 AM
http://www.creativeplanetnetwork.com/news/shoot/sp...
Helifilm.com is a premier supplier of aerial footage in Scandinavia, offering services to national and international film teams and providing access to an extensive image bank of high-quality Scandinavian content. Quality is the central reason we began to use Video Devices’ PIX-E5 recording monitor. The PIX-E5 is slightly smaller and lighter than the main competitor’s offering, which has proven to be helpful as our drone setup has evolved. The reason we wanted a recorder on the drone in the ...
May 25, 2016, 09:18 AM
http://renderplease.com/post/144910662890
And the camera logs are wrong
May 25, 2016, 09:18 AM
http://www.broadcastbeat.com/facilis-shared-storag...
At Broadcast Asia 2016, Facilis, a leading international supplier of cost-effective, high performance shared storage systems and dynamic workflow solutions for the film, broadcast and AV markets, will showcase its TerraBlock shared storage system on two separate exhibitors’ booths. Singapore-based broadcast solution provider, The Media Village (Booth 4G2-01) will demonstrate a TerraBlock shared storage system ...
May 25, 2016, 09:17 AM
https://roosterpost.wordpress.com/2016/05/25/izzy-...
Editor Izzy Ehrlich and Untitled Films director John Mastromonaco team up on a new Dairy Farmers of Canada campaign for “Project Sleep” out of DDB Canada. Project Sleep seeks to raise awareness of Canada’s sleep problem and provide solutions for … Continue reading →
May 25, 2016, 09:17 AM
https://www.aotg.com/mastery-of-editing-requiem-for-a-dream/
The editing in Requiem for a Dream holds thematic and character relevance to the overall film, rather than just acting as a way to piece scenes together. Every quick-cut has a meaning, as does the split-screen sequences. In this video essay, I look at why editor Jay Rabinowitz and Darren Aronofsky compiled the film the way they did, and the effect it has on the audience.
May 25, 2016, 09:16 AM
https://www.aotg.com/rampant-live-with-guest-walter-biscardi/
Rampant Live with Guest Walter Biscardi
May 25, 2016, 05:01 AM
https://www.aotg.com/fcpx-in-under-5-min-titlemations-title-plugin/
In this episode of Final Cut Pro X in Under 5 Minutes, Mark Spencer Riffs on his new Titlemations plugin.
May 25, 2016, 05:01 AM
https://www.aotg.com/frames-within-frames-how-paintings-matter-in-movi/
Paintings are rarely included in a movie without having a purpose. Sometimes they point out the social status of a family or the historic period of the story. Sometimes they provide a kind of commentary on the main characters that reveals aspects of their personalities. In this montage we can see many examples of how a story can be set, and how hints are available for the curious who want to know more about the symbols hidden between the story and the paintings. A video essay by Candice Drouet.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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