It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 18, 2018, 08:43 AM
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Whenever we add some sort of lo-fi effect to a sound we usually get two things, the removal of some details of the sound and the addition of artifacts. This can be a bunch of different things, like aliasing and quantization error in the case of bit crushing, distortion, speaker emulation, or the more complex […]
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https://lesterbanks.com/2018/10/introduction-houdi...
Lewis Orton Takes a Look at How to Use the POP Fluid Node in Houdini 17. Houdini 17 excited the masses with a range of some new and incredible features of which we shall see
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Build smooth, engaging transitions with Fader.
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http://manhattaneditworkshop.blogspot.com/2018/10/...
Understand the art and technique of master editors, led by author and film historian Bobbie O’Steen. Develop a deeper knowledge of the creative thinking behind the process to become a better editor and storyteller.The purpose of this course is to reveal the art and technique of master editors through the screening and discussion of their work. By doing a cut-by-cut analysis, Bobbie will explain the strategies and decisions behind the editing of many successful films - based on extensive in...
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https://www.pro-tools-expert.com/home-page/2018/10...
In this free video extract from the pureMix.net exclusive, "Brian Lucey: Mastering Philosophy & Techniques" Grammy Award Winning Mastering Engineer, Brian Lucey, discusses his philosophy to mastering, where it fits in the production process and how he approaches his art to establish a connection between the artist and the audience that has an immediacy and timeless result.
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https://www.youtube.com/watch?v=fT2pmyuoRyE
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https://www.mpaa.org/2018/10/first-mans-vfx-superv...
Watching Damien Chazelle’s First Man offers the earthbound viewer the chance to finally realize they don’t have the right stuff. For folks of a certain age, becoming an astronaut used to be one of the coolest possible professions, the kind of thing you said you wanted to be when you were little and didn’t know what engineering was. Or math. Or physics. And, most crucially, you didn’t realize how insanely dangerous it is.
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Last night at Adobe Max's Sneaks session, a showcase unveiling potential software features, comedian Tiffany Haddish and Adobe evangelist Paul Trani announced ten new tools that the company is exploring. The sneaks run the gamut from fun voice-to-music features to impressively useful tools like Smooth Operator, an intelligent vertical video cropping tool.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
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