It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 17, 2018, 10:03 AM
https://www.aotg.com/bonus-episode-10-landr/
Gordon sits down with Marcus Schioler, Antoine Rotondo, and Marc-André Ferguson to discuss the big announcement at Adobe Max that LANDR is now available in Premiere Pro!
#editor#editing#film#film editing#television#movies#the cutting room#landr#marcus schioler#antoine rotondo#marc-andré fergusonOctober 17, 2018, 07:27 AM
https://www.aotg.com/landr-and-mastering-your-cuts-audio/
Gordon sits down with Marcus Schioler, Antoine Rotondo, & Marc-André Ferguson to discuss the big announcement at Adobe Max that LANDR is now available in Premiere Pro!
October 17, 2018, 04:43 AM
https://www.premiumbeat.com/blog/21-free-motion-gr...
Want to add some motion graphics to your videos — without After Effects? Download these 21 Free Motion Graphics templates for direct use in Premiere Pro.
October 17, 2018, 04:43 AM
https://www.digitalproductionbuzz.com/2018/10/digi...
This week we look at the business of running a creative company. Can we still earn a living in today's market? Is being "creative" enough? Discover the pitfalls and promises tonight and look at what can help us in our never-ending quest to pay the rent as budgets shrink and competition expands. By the way, if you enjoy The Buzz, please give us a positive rating and review in the iTunes Store. We appreciate your support to help us grow our audience. Join host Larry Jordan as he talks wit...
October 17, 2018, 04:43 AM
http://saeditores.org/Novedades/Guionar-en-el-mont...
Segunda entrega de la publicación de nuestra socia Jazmín Mehaudy, quien analiza el montaje y la estructura dramática en el caso de los documentales de observación, donde debido a la naturaleza de este tipo de rodajes, la intervención del proceso de edición resulta decisiva como en ningún otro caso. Esta segunda parte se centra en el estudio pormenorizado de la estructura del documental Ser y Tener (2002, Nicolas Philibert).
October 17, 2018, 04:43 AM
https://postperspective.com/hp-offerings-adobe-max...
By Brady Betzel HP workstations have been a staple in the post community, especially for anyone not using a Mac or the occasional DIY/custom build from companies like Puget Systems or CyberPower PCs. The difference comes with customers who need workstation-level components and support. Typically, a workstation is run through much tougher and stringent tests so the client can be assured 24/7/365 up-time. Continue reading → October 16, 2018 The post HP offerings from Adobe Max 2018 appear...
October 17, 2018, 04:43 AM
http://manhattaneditworkshop.blogspot.com/2018/10/...
We've been told that you can't have it all. Today's digital storytellers are faced with the harsh realities of shrinking resources and growing expectations. Editors are facing pressures to work faster, producers have tighter budget constraints and cinematographers are expected to deliver beautiful images with less at their disposal. Fortunately, technology has helped bridge the gap and provides the ability to complete things quickly and at scale, without sacrificing quality. In this works...
October 17, 2018, 04:42 AM
https://variety.com/2018/film/global/rob-bredow-so...
Even before he was promoted to SVP, executive director and head of ILM in May, Rob Bredow was a very busy man. He joined Industrial Light & Magic in 2014 as a visual effects supervisor, then quickly rose up the ranks, helping to launch ILMxLAB in 2015 to develop and release immersive entertainment, moving into the chief technology officer role at Lucasfilm in 2016 and most recently serving as visual effects supervisor and co-producer of Disney’s “Solo: A Star Wars Story,” working alongside...
October 17, 2018, 04:42 AM
http://cinefex.com/blog/spotlight-armen-kevorkian/
To create cinematic illusions, you need conjurors. In this series of spotlight interviews, we ask movie magicians what makes them tick.
October 16, 2018, 12:20 PM
https://lesterbanks.com/2018/10/compositing-theory...
Simon Ubsdell Explores Alpha Premultiply in More Detail and Looks at Combining Two Alpha Channels. Ubsdell adds another video to his foundation of compositing theory series that teaches the very basics of all the technical
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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