To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
The Importance of Color for Video Creators Episode
January 19, 2021, 01:47 PM
https://vashivisuals.com/the-importance-of-color-f...
Color is a critical component for all video creators. Color can elicit emotion, set the tone and amplify your message. Color needs to be understood both creatively and technically to have maximum impact.
Goldcrest Post Adds Alex Berman as Senior Colorist
January 17, 2021, 11:39 AM
https://postperspective.com/goldcrest-post-adds-al...
Alex Berman has joined the team at Goldcrest Post as senior colorist. Berman brings more than 20 years of experience in color grading and credits across feature films, episodic television, documentaries and commercials. His recent work includes The Family for Netflix and executive producer Alex Gibney, College Behind Bars for WETA and executive producer Ken Burns, Continue reading → January 16, 2021 The post Goldcrest Post Adds Alex Berman as Senior Colorist appeared first on postPersp...
Senior colorist Alex Berman now at Goldcrest Post
January 16, 2021, 04:35 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Senior colorist Alex Berman has joined the team at Goldcrest Post (goldcrestpostny.com). He brings more than 20 years of experience in color grading and credits that span feature films, episodic television, documentaries and commercials.
Afinal Filmes Uses Cintel Scanner
January 13, 2021, 07:39 PM
https://www.aotg.com/afinal-filmes-uses-cintel-scanner/
Blackmagic Design today announced that Brazilian film restoration and post production facility Afinal Filmes has used the Cintel Scanner and DaVinci Resolve Studio to restore more than 60 feature films and digitize nearly 500 newsreels, including the 1968 Brazilian film “Como Vai, Vai Bem?” and 30 Hollywood silent films from the 1920s and 1930s.
#blackmagic design#decklink#teranex#davinci resolve studio#cintel scannerMeet Colorist Andrea Chlebak
January 1, 2021, 05:11 PM
https://lappg.com/2020/12/29/meet-colorist-andrea-...
Last year we had the opportunity of having colorist Andrea Chlebak (Mandy, Elysium and Chappie) speak at LAPPG about “Color in Narrative” where she discussed working with directors and finding language about color for collaboration as well as how colors and their opposites affect viewers’ emotions. We were so enthralled with her presentation that we … Meet Colorist Andrea Chlebak Read More »
December 30, 2020, 03:08 PM
https://filmschoolrejects.com/carol-todd-haynes-co...
In our Color Code column, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his fifth entry, he digs into Todd Haynes’ Carol.
Nobe Color Remap for all your post-production tool
December 17, 2020, 01:47 PM
https://www.provideocoalition.com/nobe-color-remap...
Every now and then you see a new tool in post-production and you say “wow that is unique.” For me, one of those was the Nobe Color Remap from Time in Pixels. When this tool debuted it was unique in that it used a color display with points on a grid to make color adjustments. [...]Read More...
Colorist Nicholas Lareau now at Nice Shoes
December 16, 2020, 01:51 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK CITY — Nice Shoes (www.niceshoes.com) had added colorist Nicholas Lareau to its roster. He joins the creative production studio following a successful run at Light Iron, and two years further building his reel as a freelancer.
Atlantic Crossing Delivered in DaVinci Resolve
December 14, 2020, 02:22 PM
https://www.aotg.com/atlantic-crossing-delivered-in-davinci-resolve/
Blackmagic Design today announced that 8 part historical drama series, Atlantic Crossing, was graded in DaVinci Resolve by Nordisk Film Shortcut Oslo senior colorist, Dylan R. Hopkin.
#blackmagic design#davinci resolveCompany 3 adds veteran colorist Gareth Spensley
December 10, 2020, 02:15 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Gareth Spensley has joined Company 3 (company3.com) as senior colorist. He comes to the studio from Molinare, where he established a reputation as a versatile colorist across both episodic television and feature films.
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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