It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
October 31, 2020, 04:13 PM
https://postperspective.com/color-grading-the-flem...
By Randi Altman Just in time for Halloween, we decided to take a closer look at the color grade behind the Belgium comedy/horror film Yummy. It’s the country’s first zombie movie … because every country should have a zombie film of its very own. Yummy follows a young couple who travel to a very questionable Eastern European hospital so the girl can get cosmetic surgery. Continue reading → October 28, 2020 The post Color Grading the Flemish Zombie Movie Yummy appeared first on pos...
October 27, 2020, 01:02 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LOS ANGELES — Matt Osborne is joining the Company 3 (company3.com) team as senior colorist. He comes to the studio from The Mill, where he worked on a wide variety of long- and short-form work, most recently completing the feature film The Wolf of Snow Hollow and the Quibi series Wireless.
October 27, 2020, 01:01 PM
https://postperspective.com/company-3-adds-senior-...
Company 3 has hired Matt Osborne as senior colorist. Osborne joins from The Mill where he has worked on a wide variety of long- and short-form projects, most recently completing feature film, The Wolf of Snow Hollow and Quibi’s series, Wireless, from executive producer Steven Soderbergh. Osborne is based in Los Angeles, Continue reading → October 26, 2020 The post Company 3 Adds Senior Colorist Matt Osborne appeared first on postPerspective.
October 26, 2020, 03:05 PM
https://www.aotg.com/kriya-graded-with-davinci-resolve-studio/
Blackmagic Design today announced that “KRIYA,” the new horror film by award winning filmmaker Sidharth Srinivasan, was graded using DaVinci Resolve Studio. Grading of the intense horror film was completed by Delhi based colorist Divya Kehr, with the film premiering at the virtual Fantasia 2020 film festival.
#blackmagic design#davinci resolve studioOctober 20, 2020, 04:16 PM
https://www.aotg.com/the-cleansing-hour-uses-blackmagic-design/
Blackmagic Design announced today that “The Cleansing Hour,” starring Ryan Guzman, Kyle Gallner and Alix Angelis, utilized Blackmagic cameras, ATEM switchers and converters in production, as well as DaVinci Resolve Studio in post production, to create the unique show within a show horror film.
#blackmagic design#davinci resolve studio#micro studio camera 4k#teranex av#atem production tv pro hd#smartview 4k#micro convertersOctober 15, 2020, 02:22 PM
https://www.aotg.com/coca-cola-commercial-graded-with-davinci-resolve/
Blackmagic Design today announced that Malaysia’s colorist Beh Jing Qiang used DaVinci Resolve Studio to grade a new Coca-Cola commercial, which was also shot using Blackmagic URSA Mini Pro 4.6K G2 and Blackmagic RAW.
#blackmagic design#davinci resolve studio#ursa mini pro g2October 12, 2020, 03:21 PM
https://www.aotg.com/kia-emmy-spot-uses-ursa-mini-pro-12k-cameras/
Blackmagic Design announced today that the Kia Motors America spot titled “Emmys® Delivery Training,” created as the introduction to the 72nd Emmy Awards broadcast, was shot entirely with Blackmagic Design cameras, and is one of the first projects shot extensively using the new Blackmagic URSA Mini Pro 12K camera.
#blackmagic design#davinci resolve studio#video assist#pocket cinema camera 4k#pocket cinema camera 6k#ursa mini pro 12kOctober 10, 2020, 02:12 PM
https://postperspective.com/senior-colorist-rory-g...
Colorist Rory Gordon has always had an interest in photography. In fact, while studying at RIT’s School of Film and Animation she focused on cinematography in addition to imaging and processing/technical courses. It was that overlap of art and science that drew her in. Currently a senior colorist/color theorist at LA’s Arsenal, Continue reading → October 8, 2020 The post Senior Colorist Rory Gordon Talks SMPTE Paper and Lovecraft Country appeared first on postPerspective.
October 8, 2020, 03:14 PM
https://www.aotg.com/hbos-huracan-shot-with-ursa-mini-pro-4-6k/
Blackmagic Design today announced that the new psychological thriller “Huracán” was shot using a Blackmagic URSA Mini Pro 4.6K digital film camera. Premiering this month on HBO and available to stream on HBO Max, the film was also graded with DaVinci Resolve Studio.
#blackmagic design#davinci resolve studio#ursa mini proOctober 6, 2020, 07:38 PM
https://www.aotg.com/beckman-uses-pocket-cinema-camera-4k/
Blackmagic Design announced today that the revenge action thriller “Beckman,” starring David A. R. White, Billy Baldwin, Jeff Fahey, Burt Young and Brighton Sharbino, was shot on the Blackmagic Pocket Cinema Camera 4K using Blackmagic RAW, and graded in DaVinci Resolve Studio.
#blackmagic design#davinci resolve studio#blackmagic raw#pocket cinema camera 4k
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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