To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Colorist Chat: Andrea Chlebak on An American Pickl

December 10, 2020, 02:12 PM

https://postperspective.com/colorist-chat-andrea-c...

By Randi Altman Industry veteran Andrea Chlebak has spent her career color grading film and television projects while at a variety of post houses. For the past two years, she was at LA’s Efilm, where she worked on projects such as An American Pickle, Bad Hair, Limetown and A Babysitter’s Guide to Monster Hunting. Continue reading → December 9, 2020 The post Colorist Chat: Andrea Chlebak on An American Pickle, Remote Work, More appeared first on postPerspective.

The Mill Announces Global Color Department Hires &

December 9, 2020, 01:24 PM

https://www.themill.com/stories/the-mill-announces...

We are pleased to announce several new appointments within our global Colour team. The appointments come as we continue to invest and expand our Colour offering and services.

Kiss the Ground Uses DaVinci Resolve Studio

December 3, 2020, 08:00 PM

https://www.aotg.com/kiss-the-ground-uses-davinci-resolve-studio/

Blackmagic Design announced today that the full length feature documentary “Kiss the Ground,” now available on Netflix, was conformed and graded using DaVinci Resolve Studio.

#blackmagic design#davinci resolve studio
Colorist Ricky Gausis Helps Set Look for Showtime

November 25, 2020, 01:28 PM

https://postperspective.com/colorist-ricky-gausis-...

MPC colorist Ricky Gausis worked with director Jonathan Krisel (Portlandia, Baskets) and DP Carl Herse (Black Monday, Kroll Show) to set the look on the Showtime comedy Moonbase 8, starring Fred Armisen, Tim Heidecker and John C. Reilly. The new six-part A24 comedy series follows three subpar astronauts living at NASA’s Moon Base Simulator with high hopes of being chosen to travel to the moon. Continue reading → November 24, 2020 The post Colorist Ricky Gausis Helps Set Look for Sho...

Saigon In The Rain Graded with DaVinci Resolve

November 11, 2020, 03:47 PM

https://www.aotg.com/saigon-in-the-rain-graded-with-davinci-resolve/

Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh.

#blackmagic design#davinci resolve studio#davinci resolve mini panel#blackmagic raw#ursa mini pro g2
The Eight Hundred Graded with DaVinci Resolve

November 10, 2020, 04:27 PM

https://www.aotg.com/the-eight-hundred-graded-with-davinci-resolve/

Blackmagic Design today announced that renowned Chinese colorist Zhang Gen and his colorist team completed LUT creation for on set previews, color management, workflow management and color grading for the Chinese blockbuster “The Eight Hundred” with DaVinci Resolve Studio and DaVinci Resolve Advanced Panel.

#blackmagic design#davinci resolve studio#davinci resolve advanced panel
SGO reinforces its commitment to the Los Angeles F

November 4, 2020, 01:13 PM

https://www.sgo.es/news-lappg/

SGO has become an official and active sponsor of Los Angeles Post Production Group (LAPPG), one of LA’s premiere filmmaking and content creation organizations.  “It is our pleasure to support LAPPG as we believe their activities are a vital part of the Hollywood and Los Angeles Creative Community. LAPPG builds a crucial bridge between technology [...]

SGO hosts exclusive online presentations for Korea

November 4, 2020, 01:12 PM

https://www.sgo.es/mistika-technology-korean-event...

[KOREAN BELOW] In a special two-day seminar, exclusively dedicated to the Korean Creative Community, SGO will introduce high-quality Immersive Post Production workflows with Mistika VR and Mistika Boutique and reveal brand new color tools released in the latest upgrade of Mistika 10. These Korean language live sessions will take place on 18 and 19 November [...]

Nu Boyana Film Studios Uses DaVinci Resolve Studio

November 2, 2020, 04:12 PM

https://www.aotg.com/nu-boyana-film-studios-uses-davinci-resolve-studio/

Blackmagic Design today announced that Nu Boyana Film Studios has added two DaVinci Resolve Studio color correction suites at a new London facility.

#blackmagic design#davinci resolve studio#davinci resolve advanced panel#davinci resolve mini panel
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