It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
September 4, 2018, 04:34 PM
https://www.allanmckay.com/156/
This is Allan McKay. Welcome to Episode 156! I’m talking about the one thing more important than your demo reel. We’re going to get into some really cool stuff.
September 4, 2018, 04:30 PM
https://www.awn.com/news/maxon-cinema-4d-release-2...
New 3D software release features expanded MoGraph toolset, new volume-based modeling tools, ProRender improvements and more.
September 4, 2018, 12:37 PM
https://lesterbanks.com/2018/09/actionvfx-ground-c...
ActionVFX Releases New Destruction Stock Footage With Ground Cracks Vol. 2 and Exploding Debris. ActionVFX always has a steadily growing library of stock footage specially made for VFX compositors and artists alike. Two new additions
September 4, 2018, 12:37 PM
http://www.studiodaily.com/2018/09/maxon-publishes...
After debuting the software’s new features at SIGGRAPH 2018 last month, Maxon has made the latest version of Cinema 4D, Release 20 (R20), available for download. Cinema 4D R20 will be an automatic upgrade for existing customers with an active Maxon Service Agreement. The new release of the 3D modeling and motion graphics application includes MoGraph […] The post Maxon Publishes Cinema 4D Release 20 appeared first on Studio Daily.
September 4, 2018, 12:37 PM
https://lesterbanks.com/2018/09/seamless-cobblesto...
Anton Tenitsky Shows How to Make a Seamless cobblestone texture in 3D Coat Using Tileable texturing techniques. Not too long ago, Anton Tenitsky posted a look into using 3D Coat to create tileable textures that
September 4, 2018, 09:34 AM
http://www.postmagazine.com/Press-Center/Daily-New...
FRIEDRICHSDORF, GERMANY — Maxon (www.maxon.net) is now shipping Cinema 4D Release 20 (R20), the next generation of its professional 3D application. The latest release contains high-end tools and features for VFX and motion graphics artists, including a node-based material system, new volume-based modeling tools, a powerful CAD import, and a major expansion of the MoGraph toolset.
September 4, 2018, 09:34 AM
http://renderplease.tumblr.com/post/177734015750
September 4, 2018, 09:34 AM
https://lesterbanks.com/2018/09/animate-fake-3d-sp...
Tony Babel Shows How to Make a Fake 3D Look Using Only Shape Layers in After Effects. 2D character animation is okay in After Effects until you need the character to turn. Even a 3/4
September 4, 2018, 09:34 AM
https://www.mpaa.org/2018/09/the-meg-vfx-breakdown...
The Meg was one of this summer’s more joyous films, giving us Jason Statham, a massive shark, and breakout star Kelly the dog (an actual dog). The movie was fun, silly, and again, had a 75-foot long prehistoric shark (the Megalodon, hence the film’s title) going tooth-to-toe with Statham’s deep-sea rescue diver Jonas Taylor. Now, we’ve got a look at how effects shop Scanline VFX helped create some of The Meg‘s wildest visuals, including the titular beast itself. While there are a ton o...
September 4, 2018, 09:34 AM
https://www.nytimes.com/interactive/2018/08/20/art...
IT’S A GIVEN THAT PIXAR has cracked the code for calibrating the perfect feeling-all-the-feels moment: That instant where the narrative taps into its audience’s deepest emotions and reduces it to tears. It’s there in “Toy Story 3.” “Up,” of course. “Inside Out.”
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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