To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Paul Machliss, ACE on Building an Editing Career
August 3, 2018, 09:36 AM
https://www.youtube.com/watch?v=vVvO-KfTPgk
At the 2018 IAVA Panel, Paul Machliss talks about building his editing career: "I wanted to be in this business from 5 or 6 years old. My father was a producer, and I just said, 'Whatever is going on in this room, I want to be a part of it.'" Hear from leading editors: http://www.avid.com/the-art-of-editing
How to Animate a Valve Mechanism With Xpresso in C
August 3, 2018, 09:35 AM
https://lesterbanks.com/2018/08/valve-mechanism-xp...
Lonnie Busch Shows How to Create the Dynamic Action of a Valve Mechanism With an Automated Xpresso Rig in C4D. Lonnie Busch is an Illustrator, artist, and designer from Franklin, North Carolina who has a
When Producers pitch for more cameras
August 3, 2018, 09:35 AM
http://renderplease.com/post/176592190060
Know Thy Mixer: A guide to adapting your sound edi
August 3, 2018, 09:35 AM
http://designingsound.org/2018/08/03/know-thy-mixe...
Unlike picture editors, whose every cut is projected on the big screen for everyone to see, we as sound editors work with the intangible. There is no right way to edit sound and if done properly, we can get away with a lot. Every project, scene or audio file can provide a unique set […]
Script Creates Controls for Mixamo Rigged Characte
August 3, 2018, 09:35 AM
https://lesterbanks.com/2018/08/controls-mixamo-ri...
RH Character Tools Automatically Creates Controllers on Auto-Rigged Mixamo Characters Right in Cinema 4D. Rigging is such a technical thing that brings multiple disciplines together to create a character that will let you focus on
The new ScreenFlow 8.0 video editing and screen re
August 3, 2018, 09:35 AM
https://www.provideocoalition.com/the-new-screenfl...
Designed for a wide range of users, from vloggers to aspiring video producers, ScreenFlow makes it easy to create anything from home movies to professional video.
How the '2001' Opening Title Sequence Musically Su
August 3, 2018, 05:58 AM
https://filmschoolrejects.com/how-the-2001-opening...
As film evolves through format and structure, with filmmakers always looking for that fresh new angle to present to audiences, some things get left behind. Enter the main title sequence, for so long the traditional beginning of the film but now often relegated to the end, along with its music. But are we missing something from that?
VIEW Conference 2018: the VFX speakers
August 3, 2018, 05:57 AM
http://www.artofvfx.com/view-conference-2018-the-v...
For the 6th years in a row, The Art of VFX is proud to be media partner of VIEW Conference!
iMac Pro is the most powerful iMac there's ever be
August 3, 2018, 05:57 AM
https://www.redsharknews.com/production/item/5691-...
At the start of the year, the creative shop where I edit picked up three iMac Pros to upgrade our systems. In the past seven months, the iMac Pros have proven to be workhorses, running Premiere Pro, After Effects, and DaVinci Resolve with ease. Underneath its appealing, all-in-one, space grey enclosure, the iMac Pro delivers serious performance.
Newest from AOTG.com
-
Daniel George McDonald on Editing Cheer's Season 2 Finale
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
-
Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
-
Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
Site Links
Tools
Sister Sites
© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.