To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

How to Easily Align Faces in Cinema 4D

July 12, 2018, 09:51 AM

https://lesterbanks.com/2018/07/easily-align-faces...

Athanasios Pozantzis Shows How to Align Faces to Other Faces in C4D Using Snapping and Extended Axis Handles. No matter where you choose to create your models, eventually you will need a host of tools

Dynamic Transitions for Final Cut Pro X

July 12, 2018, 09:50 AM

https://fxfactory.com/blog/effects-2/dynamic-trans...

Combine multiple animations and effects to build complex transitions with ease.

Blackmagic Design Announces Blackmagic eGPU

July 12, 2018, 07:26 AM

https://www.aotg.com/blackmagic-design-announces-blackmagic-egpu-2/

Blackmagic Design today announced the Blackmagic eGPU, a high performance graphics processor for pro creative software such as DaVinci Resolve, 3D games and VR. Designed in collaboration with Apple, the Blackmagic eGPU features a built-in Radeon Pro 580, two Thunderbolt 3 ports, HDMI 2.0, 85W of charging power and four USB 3.1 connections.

#blackmagic design#davinci resolve#apple#blackmagic egpu
Resources on the Craft of Film Editing

July 12, 2018, 04:32 AM

https://jonnyelwyn.co.uk/film-and-video-editing/re...

Learn more about the craft of film editing from some of the best editors in the business in this huge round up of film editing breakdowns, video essays, sound design layer-by-layer breakdowns and much more!

#film editing#craft editing#video editing breakdowns#sound design breakdowns
Review: TASCAM DR-44WL Digital Recorder

July 12, 2018, 04:29 AM

http://www.studiodaily.com/2018/07/review-tascam-d...

I have been a big fan of TASCAM digital recorders for some time. I’ve reviewed a few over the years: the DR-100, the DR-40 and now the DR-44WL. I’ve used the DR-40 for a number of jobs over the years — everything from lectures to radio commercials. I found it super-useful, but sometimes when I’m […] The post Review: TASCAM DR-44WL Digital Recorder appeared first on Studio Daily.

FALLEN KINGDOM: Pietro Ponti - VFX Supervisor

July 12, 2018, 04:29 AM

http://www.artofvfx.com/jurassic-world-fallen-king...

Pietro Ponti started his career in visual effects in 2004. He has worked on many films like 10’000 BC, THE DARK KNIGHT, TERMINATOR GENISYS and FANTASTIC BEASTS AND WHERE TO FIND THEM.

PACIFIC RIM - UPRISING: Behind the VFX

July 12, 2018, 04:29 AM

http://www.artofvfx.com/pacific-rim-uprising-behin...

Russell Bowen, CG Supervisor at DNEG, talks about the environment work on PACIFIC RIM – UPRISING...

The Art of Ant-Man & The Wasp with Marvel Studios

July 12, 2018, 04:29 AM

https://magazine.artstation.com/2018/07/art-ant-ma...

Whether they’re designing enormous tissue-growing, green-skinned warriors or rapidly shrinking, astonishingly tiny superheroes, Marvel Studios’ Visual Development Department has mastered its ability to visualize the look and feel of the Marvel cinematic universe. Ant-Man and the Wasp premiered at the El Capitan Theatre in Hollywood on June 25 and hits cinemas July 6, 2018. On the heels of the US release, six of the Marvel Studios Visual Development team will assemble at the Lenovo Stage a...

Is ‘Approved by Netflix’ becoming the new base

July 12, 2018, 04:28 AM

https://www.redsharknews.com/production/item/5622-...

First cameras started proudly wearing their ‘Approved by Netflix’ badges and then the streaming giant turned its attention to domestic television sets. The latest thing we have seen now is a list of hardware and software that the company specifies for colour grading in Dolby Vision, the format it uses for mastering, packaging and delivery of all its Netflix Originals.

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.