It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 24, 2020, 04:30 PM
https://www.artofvfx.com/the-witcher-vfx-breakdown...
If you like creatures and magical effects, be sure to watch this VFX Breakdown by One Of Us about their work on the first season of THE WITCHER...
April 23, 2020, 04:13 PM
https://www.artofvfx.com/birds-of-prey-thrain-shad...
Thrain Shadbolt has been working in visual effects for over 16 years. He began his career at Cinesite before joining Weta Digital in 2008. He has worked on numerous projects such as V FOR VENDETTA, AVATAR, DAWN OF THE PLANET OF THE APES, RAMPAGE and THE UMBRELLA ACADEMY.
April 23, 2020, 04:13 PM
https://www.provideocoalition.com/nab-2020-transcr...
One of my favorite plug-in panels for Adobe Premiere Pro is the transcription and text search tool Transcriptive from Digital Anarchy. It brought video transcription, text-based metadata search, and editing to PPro in a whole new way that hasn’t yet been matched as far as functionality goes.
April 23, 2020, 04:13 PM
https://www.artofvfx.com/tom-clancys-jack-ryan-sea...
Come have a look at the seamless work of Hybride on the second season of TOM CLANCY’S JACK RYAN...
April 23, 2020, 01:36 PM
https://www.youtube.com/watch?v=f_9SVr6A1TY
Bryce shares with us AJA's thinking around NAB, their early cancellation and efforts to announce products as they are ready to ship, including updates to their popular desktop software packages. He also talks about the demand for streaming products, including the U-Tap capture devices, HELO and more.
April 23, 2020, 01:34 PM
https://www.cinema5d.com/vegas-post-a-powerful-new...
With the domination of the headlines by software such as DaVinci Resolve and Premiere Pro it’s easy to forget that there are other options out there. Some of them very powerful indeed.
April 23, 2020, 01:34 PM
https://beforesandafters.com/2020/04/23/what-happe...
When Stephen Gaghan’s Dolittle hit cinemas earlier this year, fun b-roll was released of its star, Robert Downey Jr., aboard some kind of mobile rig that was standing in for one of the animals.
April 22, 2020, 12:53 PM
http://www.postmagazine.com/Press-Center/Daily-New...
LONDON — Framestore Pre-production Services (www.framestore.com) has introduced its key creative team of supervisors, who will work across previs, techvis, postvis and virtual production.
April 22, 2020, 12:50 PM
https://postperspective.com/working-from-home-vfx-...
By Randi Altman With the COVID-19 crisis affecting all aspects of our industry, we’ve been talking to companies that have set up remote workflows to keep their studios moving along with work. One of those studios is The Molecule, which is based in New York and has a location in LA as well. Continue reading → April 21, 2020 The post Working From Home: VFX house The Molecule appeared first on postPerspective.
April 20, 2020, 04:46 PM
http://www.cgw.com/Press-Center/In-Focus/2020/Demo...
Visual effects are becoming an increasingly large part of modern film and television. With the 10 highest grossing films of 2018 being VFX-heavy, it’s no surprise that directors and producers are optimistic about expanding the use of visual effects in lighting, costume, set, makup, hair, production design and stunt capabilities.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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