To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

[20] BAFICI: EDA Y SAE ENTREGAN EL Premio al Mejor

April 9, 2018, 04:19 AM

https://edaeditores.org/20-bafici-eda-y-sae-entreg...

Con motivo de la 20 edición del BAFICI, la EDA (Asociación Argentina de Editores Audiovisuales) y la SAE (Sociedad Argentina de Editores), entregarán un premio conjunto al Mejor Montaje de película argentina en competencia. El jurado de este año está conformado por los destacados montajistas César Custodio y Laura Búa por SAE y Carlos Cambariere […]

[20] BAFICI: SOCIOS Y SOCIAS DE EDA EN EL BUENOS A

April 9, 2018, 04:18 AM

https://edaeditores.org/socios-y-socias-de-eda-en-...

El 11 de abril comienza el 20 Buenos Aires Festival Internacional de Cine Independiente y queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico de la ciudad de Buenos Aires con los proyectos que integran la programación: ALEJANDRA ALMIRÓN “Toda esa sangre en el monte”, de Martín Céspedes (montaje) – Competencia Derechos Humanos ANDREA KLEINMAN “Foto […]

Atomos at NAB offering ProRes RAW recorders

April 9, 2018, 04:18 AM

http://postperspective.com/atomos-nab-offering-pro...

Atomos is this year NAB showing their support for ProRes RAW, a new format from Apple that combines the performance of ProRes with the flexibility of RAW video. The ProRes RAW update will be available free for the Atomos Shogun Inferno and Sumo 19 devices. Atomos devices are currently the only monitor recorders to offer ProRes RAW, Continue reading → April 8, 2018 The post Atomos at NAB offering ProRes RAW recorders appeared first on Randi Altman's postPerspective.

Horror Films without the Special Effects

April 9, 2018, 04:18 AM

https://www.aotg.com/horror-films-without-the-special-effects/

Traditionally, horror isn't a genre that depends on digital trickery. Taking a practical approach is often not only cheaper, but more effective when it comes to unnerving an audience—and horror movies rarely enjoy the freedom of a big budget, especially when the big studios aren't involved. Advances in technology in recent years have made convincing visual effects far more accessible, however, to the point that even low-budget productions can take advantage.

Inside the mind of Pacific Rim: Uprising’s anima

April 9, 2018, 04:18 AM

https://vfxblog.com/2018/04/09/inside-the-mind-of-...

Pacific Rim: Uprising might just be an animator’s dream project; giant Jaeger robots fighting giant alien Kaiju. Whenever I watch a film like that, I always wonder, where do the animators start? Notwithstanding the fact that there’s already a Pacific Rim film out there, and perhaps plenty of other giant fighting robot films, something about Uprising’s animation felt different.

Houdini Foundations : un pdf gratuit pour comprend

April 9, 2018, 04:17 AM

http://www.3dvf.com/actualite-22898-houdini-founda...

On the occasion of the GDC 2018, Side Effects offers a free ebook that will allow you to acquire the basics of the operation of Houdini. Four chapters are included: an overview of the concepts and ideas of the tool, a course on the basics of modeling, animation, simulation and rendering (with a football), the use of assets procedurals under Unreal Engine 4 and finally the generation of land.

AE Project Diary: 5) Burning Embers by Chris Zwar

April 9, 2018, 04:17 AM

https://www.provideocoalition.com/ae-project-diary...

In this project diary we look at the process I went through to create an animation of burning embers in After Effects, using Trapcode Form. Because the animation was a projected backdrop for a theatrical performance, it needed to be created as a seamless loop with a separate reveal on and off.

GDC 2018: Tools for Better Storytelling

April 9, 2018, 04:17 AM

http://www.animationmagazine.net/gaming/gdc-2018-t...

A common mistake that game (and movie) designers make is ignoring basic storytelling elements. It bears repeating: What is the story of your game? If it’s only a series of scenes, it’s not a story, and it’s unlikely that players will return to it again and again. Humans crave stories, it’s how they become immersed.

NAB: Do Androids Dream of Making Movies?

April 9, 2018, 04:17 AM

https://www.provideocoalition.com/nab-do-androids-...

“Do Androids Dream of Making Movies” was part of the Future of Cinema conference track at NAB. Annie Chang, VP of Creative Technologies at Universal Pictures, led a conversation with Yves Bergquist of USC’s Entertainment Technology Center and Corto, an AI startup; and David Kulczar of IBM Watson Media.

Avid expands Pro Tools, Media Composer & Sibelius

April 8, 2018, 02:42 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LAS VEGAS — Avid (www.avid.com) has unveiled an expansion of its Creative Tools Family, providing access to Avid’s Pro Tools, Media Composer and Sibelius software for creative individuals at any stage of their career and teams of any size. To help users deliver, Avid also introduced the Avid Connect App, which will be available to all of Avid account holders this summer, delivering a centralized experience for artists to find, connect and collaborate with each other on any PC, iOS or And...

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