To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SGO integrates Boris Graffiti into Mamba compositi

September 16, 2015, 04:38 PM

http://www.postmagazine.com/Press-Center/Daily-New...

MADRID, SPAIN — SGO (www.sgo.es) has added integration of Boris FX’s popular Graffiti titling and motion graphics plug-in into its Mamba FX (V.2.5) node based compositing platform. The integration is for the Windows release initially, but the company has plans to Mac and Linux support in the future.

Blackmagic Design's DaVinci Resolve 12 Studio, Par

September 16, 2015, 04:37 PM

http://news.doddleme.com/equipment/blackmagic-desi...

One of the more important tasks for any editor is the initial setup of the NLE. Now that DaVinci Resolve 12 and Resolve 12 Studio are out of beta, Blackmagic Design has made a couple of changes to the way editors and facilities work with the program after installation. Let’s take a look at what’s new, as well as how to initially setup users and preferences.

Easier Interview Editing With DaVinci Resolve’s

September 16, 2015, 09:28 AM

http://www.premiumbeat.com/blog/easier-interview-e...

DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere's Morph Dissolve tool. Interview editing has never been easier.

First Look at the new $350 Tangent Ripple Control

September 16, 2015, 09:27 AM

http://eriknaso.com/2015/09/16/first-look-at-the-n...

The new Tangent Ripple control surface is the first affordable model we have seen so far at $350. Tangent designed there Ripple to be basic and for the occasional color grader like me. Big thanks to Martin Luan Håndlykken for getting these pictures at IBC. As you can the size is really nice and wont take up much space on the desk. When you don’t need it it should be easy to move it out of the way.

UNIQUE TOOLS IN COLORFRONT SHOWCASE

September 16, 2015, 07:50 AM

http://www.colorfront.com/index.php?page=NEWS

Budapest, Hungary, Sept 10, 2015 – Colorfront (www.colorfront.com), the Academy and Emmy Award-winning developer of high-performance, on-set dailies and transcoding systems for motion pictures, high-end episodic TV and commercials, will preview the trailblazing capabilities of the 2016 versions of its dailies and transcoding products to support a huge variety of Ultra High Definition (UHD), High Dynamic Range (HDR) workflows during special preview sessions at IBC 2015, Amsterdam, 11-15 Sept.

IBC Colorist Mixer 2015 pictures

September 15, 2015, 01:56 PM

http://icolorist.com/ibc-colorist-mixer-2015-pictu...

It was a great night made possible by the sponsors. Colorists and friends gathered from all over Europe for food, drinks and for the first time the Mixer quiz.

3 Most Common Mistakes Made By Amateur Colorists

September 15, 2015, 05:01 AM

https://www.rocketstock.com/blog/the-three-most-co...

It wasn’t that long ago that color correction was an extremely costly process that was reserved for high-end productions working with large post facilities. As time went on and the overall cost of software decreased, more and more filmmakers started to take the color process into their own hands — and I can’t blame them. After all, DaVinci Resolve can be had for free (one version, at least), SpeedGrade comes bundled with your Adobe subscription, and there are so many other options out ther...

Film emulation vs. colour grading

September 15, 2015, 04:59 AM

http://photo.it-enquirer.com/2015/09/film-emulatio...

Colour grading is making sure your footage has the right white balance, the correct exposure and colour balance throughout. Film emulation belongs to the advanced form of colour grading: suggesting a time of day and/or a mood, an atmosphere. You start with the correction process, then move on to the creation of a mood. For Final Cut Pro X, you have two plug-ins that help with setting the mood, but that do not pretend to be colour grading tools. One is potentially faster to work with than the oth...

PremiumGrades: 20 Free Color Grading Presets for A

September 14, 2015, 09:27 AM

http://www.premiumbeat.com/blog/premiumgrades-20-f...

Give your footage a distinct custom look with these free color grading presets for After Effects!

Best Protune Settings For Color Grading

September 13, 2015, 05:05 PM

https://www.aotg.com/best-protune-settings-for-color-grading/

In this tutorial, I go over my recommended settings for shooting video in Protune on GoPro action cams to get the best results when color grading.

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