To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Blackmagic Design DaVinci Resolve 12
September 4, 2015, 04:17 AM
https://digitalfilms.wordpress.com/2015/09/03/blac...
The industry has been eager to check out Blackmagic Design’s DaVinci Resolve 12. This “first look” is based on the initial build of the Resolve 12 public beta. A number of functions have not yet been enabled, so expect to see some changes in the product by the time you read this. As with any […]
NOTICIA: DaVinci Resolve presente en el etalonaje
September 3, 2015, 12:37 PM
http://www.finalcutpro.es/2015/09/noticia-davinci-...
(Nota de prensa) DaVinci Resolve presente en el etalonaje de “Absolutamente todo“, la película más reciente de Simon Pegg. Blackmagic Design anunció el pasado mes de agosto que Dado Valentic, fundador y colorista principal de Mytherapy, utilizó DaVinci Resolve en el etalonaje de la nueva comedia británica de ciencia ficción «Absolutamente cualquier cosa» protagonizada por Simon Pegg. [...] La entrada NOTICIA: DaVinci Resolve presente en el etalonaje de “Absolutamente todo”...
FSI DM250 OLED and Pomfort Live Grade Pro Integrat
September 3, 2015, 09:15 AM
https://www.aotg.com/fsi-dm250-oled-and-pomfort-live-grade-pro-integrat/
Use Pomfort Live Grade Pro and Air Grade and the Flanders Scientific DM250 OLED with CFE3 for real-time LUT updates over IP for quick and easy look preview and distribution in production environments without the need for a standalone LUT box.
FSI Mac OS DIT LUT Conversion
September 2, 2015, 04:12 PM
https://www.youtube.com/watch?v=DytAN3yjkZo
How to convert .cube LUTs using the FSI LUT Conversion application for FSI Monitors...
Miller Brings Indiana Football in Focus for Season
September 2, 2015, 12:44 PM
https://www.aotg.com/miller-brings-indiana-football-in-focus-for-season/
Air Tripod System’s Compact Size and Lightweight Nature Scores Touchdown with Video Operations Department
#production#camera#tripod#miller#indiana#footballFilmLight To Offer Free Baselight Editions To Read
September 2, 2015, 12:38 PM
http://www.btlnews.com/crafts/post-production/film...
FilmLight plans to make Baselight Editions available as a free reader for its Baselight Linked Grade color format BLG. The upcoming version 4.4m1 release of Baselight Editions will make it free to view or to render grades passed between departments, or even to non-Baselight facilities. The new version will be released after IBC 2015. The post FilmLight To Offer Free Baselight Editions To Read and Render BLG Files appeared first on Below the Line.
Veteran colorist Wayne Hampton joins Modern Videof
September 2, 2015, 09:22 AM
http://postperspective.com/veteran-colorist-wayne-...
LA-based post house Modern Videofilm, a division of Point.360, has added senior broadcast colorist Wayne Hampton to its finishing team for television work. Hampton comes to Modern after 16 years at Technicolor Hollywood, where he graded shows such as Criminal Minds, Big Bang Theory, Mom and Two and a Half Men. His other credits include Lost, Ugly Betty, United States of Tara and Army Wives. “Adding Wayne to the team at Modern/360 signals our commitment to broadcast,” says Haig Bagerd...
Optimizing media in DaVinci Resolve 12
September 2, 2015, 09:22 AM
http://www.provideocoalition.com/optimizing-media-...
Optimizing Media in DaVinci Resolve 12
September 1, 2015, 06:33 PM
https://www.aotg.com/optimizing-media-in-davinci-resolve-12-2/
In this episode Alexis Van Hurkman walk through how to optimize your media for better playback performance in DaVinci Resolve 12.
Blackmagic's DaVinci Resolve 12 Studio Beta Pt 2
September 1, 2015, 01:50 PM
http://news.doddleme.com/blogs/post-production/dod...
Blackmagic Design’s DaVinci Resolve 12 Beta is flexible enough to work in codecs from SD all the way to 4K. But can your computer handle what you want to edit? Let’s take a look at what machine you need to edit and grade in Resolve 12 Studio Beta. (See Part 1 here.)
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