How to Make Objects Collide With Paint FX Grass

February 2, 2018, 10:08 AM

http://lesterbanks.com/2018/02/make-objects-collid...

Animator Calvin Bacon Shows How to Make Objects Collide With Paint FX Grass in Maya Working in Maya, there are many ways to create grass. You can use Maya’s new scattering tools, either in xGen The Post How to Make Objects Collide With Paint FX Grass originally appeared and published on %%BLOGLINK%,by lesterbanks

Braid Maker is a Flexible Braids Styling Tool for

February 2, 2018, 10:08 AM

http://lesterbanks.com/2018/02/braid-maker-braids-...

Abhishek Karmakar’s Latest Maya Tool Braid Maker is A Highly Art-Directable Procedural Braids Designing-Tool for Maya AkashCGI has recently released a new Maya tool allowing users to create sophisticated and organic looking braids at the The Post Braid Maker is a Flexible Braids Styling Tool for Maya originally appeared and published on %%BLOGLINK%,by lesterbanks

Cold Skin VFX Breakdown

February 2, 2018, 04:47 AM

http://www.cgmeetup.net/home/cold-skin-breakdown/

El Ranchito Imagen Digital making-of for horror film Cold Skin has some neat breakdowns of CG killer whales – and other, stranger creatures.

Podcasts for Post Production Pros

February 2, 2018, 02:55 AM

https://jonnyelwyn.co.uk/film-and-video-editing/po...

Here are some of my favourite podcasts for editors and other post pros, as well as some other recommendations from me, as an editor. Hit the comments to let me know what I'm missing out on!

Blackmagic Design DaVinci Resolve 14

February 1, 2018, 07:40 PM

https://digitalfilms.wordpress.com/2018/02/02/blac...

DaVinci Resolve has made its mark as one of the premier color correction applications for the film and video industries. With the introduction of Resolve 14*, it’s clear that Blackmagic Design has set its sights higher. Advanced editing functions and the inclusion of the Fairlight audio engine put Resolve on track to be the industry’s […]

Review: Audio-Technica System 10 Digital Wireless

February 1, 2018, 07:40 PM

http://www.studiodaily.com/2018/02/review-audio-te...

One of the great thing about audio gear is you generally don’t have to upgrade it as much as video gear. In the last 25 years I’ve had seven (main) cameras, and only two wireless microphone systems. For the first 12 years, I used a beginner’s Azden WMS-Pro VHF system. When I found I needed […] The post Review: Audio-Technica System 10 Digital Wireless Microphone System appeared first on Studio Daily.

Neil Anderson upped to colorist at Lucky Post, tal

February 1, 2018, 07:40 PM

http://postperspective.com/neil-anderson-upped-col...

Neil Anderson has been promoted to colorist at Dallas’ Lucky Post after joining the company in 2013 right out of film school. Anderson’s projects include national brands such as Canada Dry, Costa, TGI Friday’s, The Salvation Army and YETI. His latest feature work was featured at the 2018 Sundance Film Festival in Augustine Frizzell’s comedy, Continue reading → February 1, 2018 The post Neil Anderson upped to colorist at Lucky Post, talks inspiration appeared first on Randi Altman...

Create an Animated Logo With RealFlow and C4D

February 1, 2018, 01:53 PM

http://lesterbanks.com/2018/02/create-animated-log...

MographPlus Has a Look at Using Advanced Effects to Animate a Logo Using RealFlow and Cinema 4D MographPlus posts a 17-part look into expanding motion graphics with advanced effects. This project-based tutorial uses RealFlow and The Post Create an Animated Logo With RealFlow and C4D originally appeared and published on %%BLOGLINK%,by lesterbanks

When I have to redeliver an episode

February 1, 2018, 01:53 PM

http://renderplease.com/post/170382099690

"The Edit Room Became a Kind of Experimental Labor

February 1, 2018, 01:53 PM

http://filmmakermagazine.com/104767-the-edit-room-...

As Scott Macaulay wrote in our 25 New Faces profile of 306 Hollywood directors Elan and Jonathan Bogarin last year, “In 2001, the pair — who together run the production house El Tigre Productions — began shooting their grandmother, Annette Ontell, in the Hillside, New Jersey house she resided in for 71 years. When she died in 2011, the Bogaríns decided, says Jonathan, ‘to keep the house and transform everything there into a film.’ The result is the beautifully strange 306 Hollywood, â...