To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

BABYLON BERLIN: Robert Pinnow - VFX Supervisor

January 31, 2018, 10:15 AM

http://www.artofvfx.com/babylon-berlin-robert-pinn...

Robert Pinnow has been working in visual effects for almost 20 years. He founded RISE in 2007 with Florian Gellinger, Sven Pannicke and Markus Degen. He has worked on many films such as NINJA ASSASSIN, CLOUD ATLAS, CAPTAIN AMERICA: THE WINTER SOLDIER and THE MAN FROM U.N.C.L.E.

Dive into Premiere's Dynamic Graphics Tools

January 31, 2018, 10:15 AM

https://nofilmschool.com/2018/01/premiere-pro-dyna...

Whether it's an animated title, lower third, or end credit sequence, motion graphics play a pivotal role in making any project look stylish, interesting, and professional. And while there are several programs on the market that allow you to design motion graphics, many of them require a lot of experience and expertise that beginners and even intermediate users may not have. However, Adobe Creative Cloud aims to give Premiere Pro users powerful native video editing and motion graphics tools that ...

RTW Announces New Distributor, Soundware Sweden

January 31, 2018, 08:02 AM

https://www.aotg.com/rtw-announces-new-distributor-soundware-sweden/

RTW, a leading vendor of visual audio meters and monitoring devices for professional broadcast, production, post production and quality control, has partnered with Soundware Sweden as its newest distributor in Northern Europe. Soundware, known throughout Sweden for its many years of experience in professional audio equipment, distributes products that are the best quality and control in recording, mixing and broadcast.

#rtw#software sweden
Editing Molly's Game

January 31, 2018, 06:03 AM

http://www.aotg.com/index.php?page=cuttingroom_211

Gordon sits down with Alan Baumgarten and Josh Schaeffer to discuss their Eddie nominated work on the film Molly's Game.

Digital Production Buzz – February 1, 2018

January 31, 2018, 05:45 AM

http://www.digitalproductionbuzz.com/2018/01/digit...

Media creates tens of thousands files in every size, format and description. All of which we need to safely store, track, find and manipulate. Current storage technology is overwhelmed; perhaps Object Storage can help. Tonight, we talk with industry leaders about what Object Storage is, how it works and whether it can help us manage our files. … The post Digital Production Buzz – February 1, 2018 appeared first on Digital Production BuZZ.

Lynne Willingham, ACE — Favorite MC Feature

January 31, 2018, 05:45 AM

https://www.aotg.com/lynne-willingham-ace-favorite-mc-feature/

Lynne Willingham is an editor and producer, known for The X-Files (1993), The Pretender (1996) and Breaking Bad (2008). She is a two time Eddie Award winner for “Best Edited One-Hour Series for Commercial Television” for Breaking Bad in 2009 and 2010. She is also a two time winner of the “Outstanding Single-Camera Picture Editing for a Drama Series” for the 2008 and 2009 Emmy Awards.

Making the Cut: Lynne Willingham, ACE—Crafting t

January 31, 2018, 05:45 AM

https://www.aotg.com/making-the-cut-lynne-willingham-ace-crafting-t-2/

Lynne Willingham, ACE, editor of Breaking Bad and True Blood, discusses the benefits of Media Composer on projects involving creative collaboration.

How To Sync Final Cut Pro X With Avid Pro Tools

January 31, 2018, 05:45 AM

http://www.fcp.co/final-cut-pro/tutorials/2036-how...

When Pro Tools Expert Russ Hughes sent us this tutorial, we were intrigued. Has he discovered a way to harness the power of a DAW running in parallel to Final Cut Pro X?

Review: K-Tek Airo Audio Gear

January 31, 2018, 05:45 AM

http://www.studiodaily.com/2018/01/review-k-tek-ai...

It’s a truism of the filmmaking craft: Audiences will tolerate bad picture but never bad sound. And so it is that many shooters, especially in the nonfiction world, must also capture the best sound possible, if no other reason that better sound produces better-looking pictures. Audiences judge the professionalism of a production by the quality […] The post Review: K-Tek Airo Audio Gear appeared first on Studio Daily.

Working With Moho’s Color Points to Add More Dim

January 30, 2018, 01:56 PM

http://lesterbanks.com/2018/01/working-mohos-color...

McCoy Buck Shows How You Can Use Moho Color Points to Add More Dimension to Your Animations Artist and Animator McCoy Buck demonstrates how you can add some more dimensional life to your characters in The Post Working With Moho’s Color Points to Add More Dimension originally appeared and published on %%BLOGLINK%,by lesterbanks

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