To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

The new Lumetri Color panel - Premiere Pro (2015)

June 16, 2015, 05:11 AM

https://www.aotg.com/the-new-lumetri-color-panel-premiere-pro-2015/

The 2015 release of Premiere Pro CC introduces the new Color workspace with the Lumetri Color panel combining the power of SpeedGrade with the accessibility of Lightroom.

How Amy Doc Ended up looking like a feature Film

June 15, 2015, 04:33 PM

http://www.definitionmagazine.com/journal/2015/5/1...

Amy Winehouse, whose hits included Rehab, Valerie and Love is a Losing Game, rose to international fame with her second album, Back to Black, which won five Grammys and sold more than 20 million copies worldwide. But along with fame and success came struggles with drugs and alcohol, which plagued her throughout her adult life.

Tips for Coloring Talking Head Interviews in DaVin

June 15, 2015, 12:42 PM

http://www.premiumbeat.com/blog/tips-for-coloring-...

Interviews are a great place to sharpen color grading skills. Let’s look at some ways we can push and improve upon this common setup in DaVinci Resolve.

LUT Tricks for the Sony FS7/F5/F55

June 15, 2015, 12:39 PM

http://www.provideocoalition.com/tricks-for-sony-f...

Sony’s Cine-EI mode is both a blessing and a curse. Here's how to work to its strengths and around its issues using two free software packages…

‘Mad Max: Fury Road’ colorist Eric Whipp gets

June 11, 2015, 01:00 PM

http://postperspective.com/mad-max-fury-road-color...

How collaboration between the DP, VFX and color was key to the film’s look. By Randi Altman Warner Bros. Max Max: Fury Road is quite a ride, with intense action from start to finish, a ton of visual effects and some pretty unforgiving and sand-filled locations and weather. While this is a continuation of the Mad Max films of the past, you might notice a very different graphic look, and that was by design. Aussie director George Miller, who helmed the first three Mad Max features — in ...

Flanders Calibration Workflow with Calman and Reso

June 11, 2015, 09:23 AM

https://www.aotg.com/flanders-calibration-workflow-with-calman-and-reso/

Using Davinci Resolve as a test pattern generator with SpectraCal CalMAN Studio for LUT based calibration of FSI monitors.

ICA classes summer 2015

June 11, 2015, 04:49 AM

http://icolorist.com/ica-classes-summer-2015/

Looks like being a busy summer for the ICA stable ofcolorists. Dado travels from London to Australia and Warren visits London from OZ, what a truly global bunch we are:) Kevin is again running his new classes in August and Von is again conducting his very successful DIT and Onset class in Hollywood.

Comparison of Film Emulation LUTs

June 11, 2015, 04:49 AM

https://www.aotg.com/comparison-of-film-emulation-luts/

We compares three film emulation LUT softwares with Rec. 709 and Sony A7s S-Log2 footage to see how they fare.

Veteran colorist Todd Bochner joins Chainsaw

June 10, 2015, 04:15 PM

http://postperspective.com/veteran-colorist-todd-b...

Todd Bochner has joined Chainsaw in Hollywood as supervising senior colorist. Bochner has more than 20 years of experience working on over 50 television series, as well as numerous features, commercials and music videos. His first project at Chainsaw will be the HBO series The Leftovers. “The arrival of Todd Bochner is further indication of our commitment to being creative leaders in scripted television,” says Chainsaw co-founder Bill DeRonde. “Todd has been producing great work for m...

3D text tips in FCPX and balancing shots in DaVinc

June 10, 2015, 04:15 PM

http://www.fcp.co/final-cut-pro/tutorials/1679-3d-...

Time to catch up with this week's tutorials from Ripple. The first looks at 3D text tips and includes one pretty awesome piece of information you won't want to miss. The second looks at the RGB parade scopes in Resolve.

© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.