It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 8, 2015, 09:44 AM
http://www.premiumbeat.com/blog/davinci-resolve-ti...
Photoshop can be a source of techniques and inspiration for color grading. Learn how to emulate the software's vibrance effects in DaVinci Resolve!
June 8, 2015, 09:43 AM
http://www.btlnews.com/crafts/post-production/comp...
Company 3 recently relied on Blackmagic Design's DaVinci Resolve to grade Tomorrowland. As the movie is the first title to be released in Dolby Vision, Company 3 also used DaVinci Resolve to create a pass for the new projection system.
June 8, 2015, 04:58 AM
http://www.definitionmagazine.com/journal/2015/6/8...
The Mad Max: Fury Road shoot was long and arduous and eventually lost a dimension when 3D was delayed to a post process. The DI became a huge eight month process and was much more than a colour statement.
June 7, 2015, 07:15 AM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hi folks – We have a free maintenance update to both Magic Bullet Suite and Shooter Suite. Here’s what the update includes: SHOOTER SUITE: PluralEyes Updated FCPX .xml to 1.5 to fix an issue with FCPX 10.2. Resolves this issue: http://www.redgiant.com/support/faq/product-specific/pluraleyes/444/ MAGIC BULLET SUITE: Magic Bullet Looks Adds support for Retina displays Fixes an issue […] The post Magic Bullet and Shooter Suite Maintenance Release appeared first on Red Giant.
June 5, 2015, 08:27 PM
http://cinescopophilia.com/lut-able-teradek-and-sm...
Shooting in Log? You need LUTs! Michael shows off some easy to use on-set LUT tools, featuring toys from SmallHD and Teradek. Remember to subscribe to get more in-depth reviews of each.
June 5, 2015, 09:43 AM
http://www.premiumbeat.com/blog/blockbuster-looks-...
The Transformers franchise helped usher in the era of the Teal and Orange color palette. Here's how to achieve Hollywood's go-to look in DaVinci Resolve.
June 5, 2015, 09:42 AM
http://www.videoguys.com/blog/cool-gadgets/teradek...
The guys at Onyx Cinema just created 2 very informational and entertaining videos explaining the standards of on-set color workflow. They then go on to show how technology is changing the process to become faster and more convenient using LUT integrated products from Teradek, SmallHD, Filmconvert, and Pomfort. Check out the videos below and share Read More The post Teradek LUTs on-set color workflow appeared first on Videoguys Blog.
June 5, 2015, 05:11 AM
https://www.aotg.com/understanding-color/
Why Color is so important, Saturation and Value and six Color Harmonies that work.
June 4, 2015, 12:26 PM
https://convergent-design.com/odyssey7q-knowledge-...
A 3D LUT is a way of transforming an image, where any set of red, green and blue values at the input map to a different set of red, green and blue values at the output. Unlike a 1D LUT, where a given red value at the input will always map to the same red value at the output (like Curves in Photoshop) with a 3D LUT, the output value in each channel is affected by the input values in all three channels.
June 4, 2015, 09:31 AM
http://www.provideocoalition.com/hues-on-first-eas...
Colour correction is one of the most important aspects of compositing and visual fx. This quick tip will show you the best way to begin colour correcting different layers in a composition - just by pointing your mouse.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
© 2007-2024 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.