It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 28, 2015, 04:55 AM
https://www.aotg.com/resolve-105-managing-color-grades-creating-a-gr/
You learn about Versions where you can store and recall subtle (or drastic) variations of a look. You also see how to make Gallery Stills to create images as a reference guide. These techniques -combined with color grade copying, group grading of multiple clips and split screen viewing- are the tools colorists use for speed and to maintain consistency when working on larger projects.
May 26, 2015, 04:23 PM
http://blogs.adobe.com/movingcolors/2015/05/26/thi...
Join Robbie Carman for a free Ask a Video Pro webinar this Thursday, May 28th to learn how you can bring creative color into your editing and postproduction workflow: REGISTER Colorist Robbie Carman began his career as an editor, so he knows both sides of the traditional divide between cutting and finishing. But he’ll be the first to tell you that the traditional divide is a thing of the past. With today’s digital workflows, powerful hardware and production tools creative work with colo...
May 26, 2015, 04:22 PM
https://www.aotg.com/lut-master-guide-to-color-grading/
I break it down and help you better understand the various LUTs used in color grading. Click the links below to learn more about LUTs such as OSIRIS and ImpulZ...
May 26, 2015, 09:36 AM
https://www.aotg.com/adoramas-sunday-family-funday-street-fair-retur-2/
This free technology-based annual Street Fair features the newest cameras and consumer electronics, prizes, food, carnival games and more family-friendly fun
#video#photography#adorama#street fair 2015#technology festival#adorama family sunday street fairMay 26, 2015, 09:30 AM
http://www.definitionmagazine.com/journal/2015/5/2...
Earlier this year, The Academy of Motion Picture Arts and Sciences honoured the HP DreamColor Display and its developers with the Scientific and Engineering Award (Academy Plaque) for the impact it’s made in film, providing affordable, consistent and stable colour throughout the film production process.
May 26, 2015, 04:52 AM
http://www.finalcutpro.es/2015/05/noticia-davinci-...
(Nota de prensa) Blackmagic Design se complace en felicitar my la gran cantidad de largometrajes nominados para la edición 2015 del Festival de Cannes que fueron rodados con cámaras fabricadas por la empresa y finalizados con DaVinci Resolve. Algunas de las películas más esperadas que compiten por la Palma de Oro fueron etalonadas con DaVinci Resolve. [...] La entrada NOTICIA: DaVinci Resolve, presente en muchas de las películas del festival de Cannes aparece primero en finalcutpro.es.
May 25, 2015, 04:30 AM
http://floobynooby.blogspot.ca/2015/05/color-and-c...
I think it's natural for anyone passionate in their field to study and enjoy the work of their peers, but sometimes it gets in the way of the experience. I know I find it very difficult to watch a movie and NOT analyze the craftsmanship behind it....but you know you're watching a good one when all you can see is the story un-fold, but even then I can't help but notice things like lighting choices, camera moves and color.
May 25, 2015, 04:28 AM
http://cinescopophilia.com/california-luts-la-styl...
Ive always been obsessed grading my looks with a 'Golden Grey', 'Peach' style look….so I thought why not share my styled looks with you.
May 22, 2015, 10:07 AM
http://cinescopophilia.com/fcpx-colorist-professio...
The FCPX Colorist brings professional color grading tools to Final Cut Pro X users. Now, editors can adjust curves, hues, saturations, and color levels like never before without ever having to open another color grading software. With intuitive pop-up windows and custom preset loaders, The FCPX Colorist can help Final Cut Pro X users create endless color grade looks.
May 22, 2015, 02:16 AM
http://videoandfilmmaker.com/wp/index.php/news/gra...
We hear from senior colourist Philipp Orgassa on grading Wender's latest film 'Every Thing Will Be Fine' on DaVinci Resolve.
#grading#davinci resolve#colourist
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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