To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

GoPro Color Grading Tips and Workflow

May 21, 2015, 04:15 PM

https://www.aotg.com/gopro-color-grading-tips-and-workflow/

Here are some random tips for color grading GoPro footage shot with Protune.

Ask a Video Pro: Think Like a Colorist, Work Like

May 21, 2015, 11:56 AM

https://aavp0528.creativecloud.adobeevents.com/

Colorist Robbie Carman began his career as an editor so he knows both sides of the traditional divide between cutting and finishing. But today everything is changing and color is part of the workflow from the very start. This webinar is a chance to meet Robbie and get practical ideas for how to approach your work with a colorist's mindset.

How to Color Grade Video in Photoshop

May 20, 2015, 04:51 AM

https://www.aotg.com/how-to-color-grade-video-in-photoshop/

In today's episode, we show you how to color grade video in photoshop! In our last episode, we gave our take on editing video in photoshop. In our upcoming episodes, we'll be showing you more of the video tools available to you in photoshop.

DaVinci Resolve Workflow Roundtrip Breakdown

May 19, 2015, 09:35 AM

http://www.premiumbeat.com/blog/davinci-resolve-wo...

Get to know the DaVinci Resolve workflow from client to delivery with this in-depth roundtrip tour.

Rocket Rooster Cinema Colour II

May 15, 2015, 03:43 AM

http://cinescopophilia.com/rocket-rooster-cinema-c...

The all new Looks pack is here, the Rocket Rooster Cinema Colour II. The pack is based off Super 35 and Super 16 Film stock and features a set of film emulation LUTs that you can use to get the look of popular film stock in just a few clicks.

Flanders Scientific, Inc. AM250

May 14, 2015, 01:14 PM

https://www.aotg.com/flanders-scientific-inc-am250/

FSI AM250 24.5" OLED Broadcast Monitor Overview

Tiffen’s new DFX 4 standalone and plug-in packag

May 14, 2015, 09:27 AM

http://www.videoguys.com/blog/video-editing/tiffen...

In this review Red Shark’s Phil Rhodes takes a look at Tiffen’s DFX 4 filters. These filters can plug-into popular NLE’s such as FCPX, Adobe Premiere & Avid.  They allow you to mimic their popular line of optical filters in post production, complete with keyframing to control where, when and how the filters are applied. ReShark Read More

DaVinci Resolve 12 and NLE Contender?

May 13, 2015, 01:31 PM

http://blog.mediasilo.com/davinci-resolve-12-is-be...

Find out how Davinci Resolve 12 is unifying the post production process and revolutionizing the industry.

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