To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
Color Correcting With Magic Bullet Color Suite v.1
May 4, 2015, 04:47 AM
http://eriknaso.com/2015/05/03/color-correcting-wi...
I’m no colorist but I do enjoy grading and getting the most out of an image. I recently upgraded to the new Red Giant V.12 Magic Bullet Color Suite. Wow is this a nice upgrade!
Colour Correction Carnage! Can we take "Skin Tone
May 1, 2015, 04:56 AM
http://www.redsharknews.com/post/item/2555-colour-...
Imposing a "strong" look on a film can take all the original goodness from it. Phil Rhodes wonders whether we can take the concept of "skin tone" seriously any more. Colour CorrectionColor CorrectionGradingColour GradingColor GradingLookFilm lookColour lookColor lookResolveBaselight
A Notebook With Colour Fidelity
April 30, 2015, 03:54 PM
http://provideocoalition.com/a-notebook-with-colou...
Meet ACES, the Pro Color Management Standard
April 30, 2015, 03:53 PM
https://www.aotg.com/meet-aces-the-pro-color-management-standard/
Learn more about the Academy's ACES color encoding and management system, which is rapidly becoming an industry standard.
Tiffen Dfx v4 digital filter suite with video demo
April 30, 2015, 01:04 PM
http://www.videoguys.com/blog/video-editing/tiffen...
Tiffen Dfx filters allow you to recreate any of thier physical filters in post production. You can us keyframes for complete control of how they are applied over time and on which part of the video they effect. They support FCPX, Avid and both Adobe Premeire Pro and Photoshop. macnn New filters style, enhance video Read More The post Tiffen Dfx v4 digital filter suite with video demo appeared first on Videoguys Blog.
Colour Grading Tutorials To Improve Your Grades
April 30, 2015, 05:44 AM
http://jonnyelwyn.co.uk/workflow-for-post-producti...
A hefty round up of tutorials for DaVinci Resolve to improve your colour grades. Tutorials on polishing looks, using Wacom tablets with Resolve, watching colorists work and much more...
#davinci resolve#colour grading tutorials#better gradingTechnicolor-PostWorks' Baselight workflow helps l
April 28, 2015, 12:29 PM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Technicolor-PostWorks NY has long employed FilmLight’s Baselight for high-performance grading, both for television dramas and documentaries. In recent months, the studio has found that FilmLight’s Baselight Editions for Avid — an integrated plug-in for Media Composer and Symphony — has been able to enhance the grading capabilities within its existing editing software, as well as open up the possibility of a fluid and flexible exchange of grades between editors and colori...
Rageboard's released for Colorists
April 28, 2015, 09:49 AM
http://www.aotg.com/index.php?page=pr_angryface_ap...
Munich, Germany – March 31, 2015 – Angry Face™, developer and manufacturer of customized color-correction chassis, announced today its Rageboard™ product, the first professional chassis for housing the Tangent Element color panels.
Better Black and White in DaVinci Resolve
April 28, 2015, 09:30 AM
http://www.premiumbeat.com/blog/better-black-and-w...
There's more to monochrome than dragging the saturation down to zero. Learn the nuances of capturing better black and white in DaVinci Resolve.
Is Hollywood Depressed?
April 28, 2015, 04:48 AM
http://www.taoofcolor.com/2447/is-hollywood-depres...
This weekend the Tao Treasurer and I went to the movies (yes, we still go to actual live movie theaters). As usual the previews were 20 minutes long and since we hadn’t been to a theater in a few months, the previews were all new to us.
Newest from AOTG.com
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Daniel George McDonald on Editing Cheer's Season 2 Finale
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Editing The Black Lady Sketch Show
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
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Philip White on Crafting A Madea Homecoming's Music
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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