It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
April 28, 2015, 04:45 AM
http://www.definitionmagazine.com/journal/2015/4/2...
TVLogic launched a total of 12 new models at NAB 2015 for broadcast, production, post-production, digital signage and multi-viewer applications.
April 27, 2015, 04:19 PM
http://postperspective.com/technicolor-postworks-j...
By Randi Altman Just a couple of weeks ago, FX’s The Americans aired its third season finale, and it was a good one. Who would expect anything less? This drama follows a Russian husband and wife who are undercover in the DC area during the Cold War. They look American, sound American and have two kids, who truly are American. The show is shot in New York and gets its color grading from New York-based Technicolor PostWorks via colorist John Crowley, who works directly with the show’...
April 26, 2015, 01:59 PM
http://www.definitionmagazine.com/journal/2015/4/2...
The new version 4 of Tiffen’s Dfx filter suite has added support for OFX, making it compatible with the Blackmagic Design DaVinci Resolve and Assimilate Scratch solutions, as well as the high-end Nuke visual effects program from The Foundry. Catherine Pantazopoulos, a senior colourist with La Couleur Poétique echoes the value the new OFX support brings to the Blackmagic Davinci Resolve environment, “For unique pictures and textures, I use a combination of DFX filters within Resolve for comm...
April 24, 2015, 10:13 AM
http://postperspective.com/deluxe-technicolor-laun...
Deluxe and Technicolor have entered into a binding agreement to create a new digital cinema joint venture, Deluxe Technicolor Digital Cinema, which will specialize in theatrical digital cinema mastering, distribution, and key management services. Deluxe Technicolor Digital Cinema will bring together best-in-class technologies, personnel, work processes, and facilities to provide seamless digital cinema services to customers globally. The new business will be managed by Deluxe and based in B...
April 24, 2015, 10:12 AM
http://www.btlnews.com/crafts/post-production/delu...
Deluxe and Technicolor announced that they have reached an agreement to create a new digital cinema joint venture, Deluxe Technicolor Digital Cinema.
April 24, 2015, 10:12 AM
http://www.postmagazine.com/Press-Center/Daily-New...
CHICAGO — Filmworkers (www.filmworkers.com) has reached an agreement with veteran colorist Craig Leffel to represent him for color correction projects in the Midwest. Leffel will continue to serve as executive producer of Wheaton, IL’s Big Spoon Industries (www.bigspoonindustries.com), the creative production studio he formed last fall, while handling color correction assignments through Filmworkers.
April 24, 2015, 10:10 AM
http://www.taoofcolor.com/2436/color-thats-a-joy-t...
If you’ve never heard of Stu Maschwitz you’ve definitely heard of the products he helps design and sell, notably: Colorista and Magic Bullet Looks for Red Giant Software. Just before NAB 2015 he wrote a blog post about evaluating color correction software. Near the end he makes a comment that I’ve got a problem with...
April 24, 2015, 10:08 AM
https://www.aotg.com/what-if-blackmagic-design-disappeared/
Ok, this video is not related to color grading at all but I felt it's important to talk about certain attitudes towards new technology.
April 24, 2015, 04:46 AM
http://www.redsharknews.com/post/item/2539-qantel-...
Real-time post production in 8K is now a reality. Just. QuantelPabloRioPablo Rio8KQuantel 8K
April 24, 2015, 04:46 AM
https://www.aotg.com/what-if-man-of-steel-was-in-color/
VideoLab attempts to turn back time and restore the natural color & brightness in shots from DC's Man of Steel. Turns out there was a beautiful Zack Snyder movie hiding underneath the bleak coloring.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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