To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Guardians of the Galaxy Vol. 2 (2017)

August 23, 2017, 04:43 AM

http://feedproxy.google.com/~r/artofthetitle_rss/~...

“There are two types of beings in the universe: those who dance, and those who do not.” — Drax ...

How to Create a Retro VHS Effect with 360 Footage

August 23, 2017, 04:42 AM

https://www.mettle.com/how-to-create-a-retro-vhs-e...

Charles Yeager (yeagerfilm.com) shows us how to create a Retro VHS Effect in After Effects using SkyBox Studio V2 and SkyBox 360/VR Post FX 2. It’s a simple way to add a traditional effect into your 360 post-production. Download the 360 footage and the After Effects project file, courtesy of Charles. Simply click on the links below.

SIGGRAPH 2017 : compte-rendu par le chercheur Nico

August 23, 2017, 04:42 AM

http://www.3dvf.com/actualite-21044-siggraph-2017-...

Each year, the AFIG (French Graphic Computer Association) and the GDR IGRV (Research Group Geometric and Graphical, Virtual Reality and Visualization) send a French researcher to cover SIGGRAPH.

See Maya 2018's amazing new 3D tools in action

August 23, 2017, 04:42 AM

http://www.creativebloq.com/inspiration/see-maya-2...

Autodesk’s Maya 2018 is brimming over with new tools and improved workflows designed to help 3D artists work faster – and top professionals are already using the improved software to create fantastic work.

Creating a Giant Robot Walking in a Live Action Sc

August 23, 2017, 04:42 AM

https://cgi.tutsplus.com/tutorials/creating-a-gian...

Creating a Giant Robot Walking in a Live Action Scene: Part 4

Berenbaum - Manipulating a Shot in "Barton Fink"

August 22, 2017, 05:05 PM

https://www.aotg.com/berenbaum-manipulating-a-shot-in-barton-fink/

Michael Berenbaum, ACE, has been editing feature films and television in New York for over twenty years. He has worked with such directors as Joel and Ethan Coen, John Turturro, Al Pacino, Julian Schnabel, and Martin Scorsese. His television work includes "Sex and the City," for which he won two ACE awards, the pilot for...

The Intricate Backwards Storytelling of 'Memento'

August 22, 2017, 05:04 PM

http://nofilmschool.com/2017/08/memento-backward-s...

17 years after its release brought Christopher Nolan to the attention of Hollywood, this video examines how Memento manages to tell a meaningful story—in reverse.

FilmLight expands European presence with new Munic

August 22, 2017, 12:27 PM

http://www.postmagazine.com/Press-Center/Daily-New...

LONDON — FilmLight (www.filmlight.ltd.uk), maker of color grading tools, including the Baselight system, has opened a fully-staffed office in Munich, Germany. The location was chosen to both serve the growing creative market in Germany and to provide an starting point for hands-on service across central Europe and beyond.

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