To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SNL VFX Featurette Reveals Impressive Work Done on

May 2, 2017, 05:55 AM

http://www.slashfilm.com/saturday-night-live-vfx-f...

When it comes to examining a show like Saturday Night Live, it’s easy to only pay attention to the comedy and performances. After all, people watch the staple late night sketch series for laughs. But because the show is live where anything can happen, that makes the technical achievements behind the scenes even more impressive.

Curso *VFX para editores*, por Santiago Svirsky y

May 1, 2017, 06:03 AM

http://saeditores.org/Novedades/Curso-VFX-para-edi...

La Comisión de Cultura y Desarrollo Profesional de la SAE abre la inscripción al curso VFX para editores, dictado por Santiago Svirsky y Bruno Fauceglia.Se desarrollará en dos jornadas, los días sábado 13 y 20 de mayo, de 14:00 a 18:00 horas en el Auditorio Cendas, Bulnes 1350, Ciudad Autónoma de Buenos Aires...

What are the possibilities of virtual reality as a

April 28, 2017, 07:31 AM

http://blogs.adobe.com/digitaldialogue/events/poss...

To be successful in the future, companies and brands need to engage beyond the transaction and beyond the screen – engage through empathy created and delivered via a fuller sensory experience. Given investment into virtual reality technology by companies such as Google, Facebook, Apple and Adobe, the burgeoning question for digital marketers is when is the tipping point for enterprises to start investing? Already we are starting to see the interfaces for VR experiences extending beyond s...

FMX 2017: Star Wars, The Art of Rogue One

April 26, 2017, 06:36 PM

https://magazine.artstation.com/2017/04/fmx-2017-s...

FMX is Europe’s premier computer graphics conference, exploring the latest trends in visual effects, animation, games and transmedia work. Every year, artists and VFX specialists come to share their spectacular contributions to the industry. And what would a CG conference be without any Star Wars?

Avid at NAB Show 2017 | Virtual Studio and Augmen

April 26, 2017, 10:04 AM

https://www.aotg.com/avid-at-nab-show-2017-virtual-studio-and-augmen/

See Avid’s virtual studio and augmented reality come to life at NAB 2017. Go behind the scenes at booth SU902 in the South Upper Hall.

LIFE: Huw Evans – VFX Supervisor – Double Nega

April 26, 2017, 10:01 AM

http://www.artofvfx.com/life-huw-evans-vfx-supervi...

Huw Evans began his career in 2006 at Double Negative. He has worked on numerous projects such as THE DARK KNIGHT, Inception, MAN OF STEEL and THE HUNGER GAMES: CATCHING FIRE.

Outpost VFX Hires Sarah Mooney

April 26, 2017, 10:01 AM

http://www.awn.com/news/outpost-vfx-hires-sarah-mo...

U.K.-based Outpost VFX announced that Sarah Mooney has joined the team as VFX producer. With a huge amount of production experience, working especially in the high-end TV market, she has relocated to the seaside town of Bournemouth from London where she was line producer in Double Negative’s TV department.

Bubble Witch 3 - Houdini FX Breakdown

April 26, 2017, 10:00 AM

http://www.cgmeetup.net/home/bubble-witch-3-houdin...

Alldin Dauti – Houdini FX development of Bubble Witch 3 Saga that I worked on at Mindbender Animation Studio. Creating simulations of bubbles swarming, collide in different shape and forms. Showing various simulations of early production setups and final setups.

Suicide Squad Visual Effects Breakdowns

April 25, 2017, 09:07 AM

http://www.slashfilm.com/suicide-squad-visual-effe...

Suicide Squad has come and gone, but soon enough we’ll see at least one of the bad guy ensemble’s characters return to the big screen with Margot Robbie reprising her role as Harley Quinn in Gotham City Sirens. While we’re waiting to see if the movie ends up getting the greenlight to start shooting this year alongside Aquaman, we can take a look behind the scenes at the visual effects that helped bring the more wild side of the DC Extended Universe to life.

FATE OF THE FURIOUS: Kelvin McIlwain VFX Superviso

April 24, 2017, 09:28 AM

http://www.artofvfx.com/the-fate-of-the-furious-ke...

In 2016, Kelvin McIlwain explained to us about his work on CENTRAL INTELLIGENCE. Today, he talks about the new episode of the FAST & FURIOUS saga with his work on THE FATE OF THE FURIOUS.

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