It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
March 8, 2017, 06:34 PM
http://blogs.adobe.com/project1324/2017/03/09/wome...
Women in VR didn’t bother shattering glass ceilings; they built a world with no roofs. Female VR artists are dominating the industry, and making one giant leap for womankind by setting the tone for the field before the technology is even fully developed. It’s no secret that the tech industry is largely male-dominated. We have made progress, but the divide is still there. There are so many career paths laid out for women, but in a world where maps haven’t been drawn, that’s all chang...
March 8, 2017, 10:42 AM
http://www.artofvfx.com/the-great-wall-samir-hoon-...
Samir Hoon began his career in VFX at R/Greenberg Associates in 1993. He joined Industrial Light & Magic in 1995. He has worked on numerous projects such as TERMINATOR 3: RISE OF THE MACHINES, ERAGON, STAR TREK INTO DARKNESS or HITMAN: AGENT 47.
March 8, 2017, 05:13 AM
http://www.studiodaily.com/2017/03/color-correctio...
Learn about working with the new Mocha VR plug-in to isolate parts of a 360-degree image for shadow and highlight correction using Adobe Premiere Pro's Lumetri color-grading toolkit. Mocha Product Manager Martin Brennand walks through the process in about 20 minutes. The post Color-Correction Masking with Mocha VR in Premiere Pro [Tutorial] appeared first on Studio Daily.
March 8, 2017, 05:12 AM
http://www.cgchannel.com/2017/03/autodesk-to-raise...
Autodesk is to raise the price of the maintenance plans for its software by over 38% by 2019, phased over three annual price rises.
March 8, 2017, 05:12 AM
http://www.cgmeetup.net/home/gs-battery-vfx-breakd...
Back presents GS Battery VFX Breakdown.
March 8, 2017, 05:12 AM
http://www.artofvfx.com/chevrolet-the-human-race-m...
Impressive work by The Mill in this shortfilm “The Human Race”, don’t miss their making of...
March 7, 2017, 10:25 AM
https://www.aotg.com/miller-helps-support-the-plastic-project/
As a producer and director who also has an honors degree in genetics and a personal interest in surfing, Mike Cunliffe brings this eclectic set of skills and knowledge to any project in which he is involved. All were recently enlisted for his latest campaign, "The Plastic Project," which documents the negative effects plastic has on the environment on both a macro and micro level.
March 6, 2017, 10:28 AM
https://www.aotg.com/heroes-of-the-baltic-sea-vfx-breakdown/
Heroes of the Baltic Sea - VFX Breakdown
March 6, 2017, 10:28 AM
https://www.aotg.com/taboo-vfx-breakdown-by-bluebolt/
Here is a cool VFX Breakdown by BlueBolt about their work on TABOO...
March 6, 2017, 08:17 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Chris Wells has worked on some of the biggest films of the past 20 years, including “300,” “The Curious Case of Benjamin Button,” and “Captain America: The First Avenger.” Although Chris wanted to be a park ranger, he was drawn to computing in the most 80s way possible: a nerd friend, Sigue Sigue Sputnik albums, and software pirated via BBS and five-and-a-quarter floppies.
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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