To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

SOFTWARE UPDATE | Red Giant Universe 1.3

November 18, 2014, 03:30 PM

http://feeds.redgiantsoftware.com/~r/redroomblog/~...

Hey folks – Today we are releasing Red Giant Universe 1.3 – A new update to Universe that includes new free and premium tools, and Davinci Resolve support. In total there are 13 new tools (6 free and 7 premium), bringing the Universe library to 81 effects and transitions. If you already have Universe installed, […]

The Evolution of Display Connectors

November 18, 2014, 03:29 PM

http://www.premiumbeat.com/blog/evolution-display-...

Display connections are evolving to keep up with new video technology and data rates. See what lies ahead for the future. The post The Evolution of Display Connectors appeared first on The Beat: A Blog by PremiumBeat.

Are Silicon Valley and Hollywood in opposition to

November 18, 2014, 03:29 PM

http://www.philiphodgetts.com/2014/11/are-silicon-...

Is it as simple as technology vs creative, or is there something more complex in the relationship?

How To Become A Commercial's Editor

November 18, 2014, 01:47 PM

http://jonnyelwyn.co.uk/film-and-video-editing/how...

In the latest edition of the very excellent The Assembly Magazine I had the opportunity for an in-depth chat with London commercials editor James Rosen. Check out some of his work and some extra questions in this spill-over post!

#interview#free download#london#the assembly#editing commercials#editing adverts#james rosen
Quick Tip: Layer Styles in After Effects

November 18, 2014, 12:26 PM

http://www.premiumbeat.com/blog/quick-tip-layer-st...

Using layer styles in Photoshop? These settings can be preserved when opening a PSD in After Effects. In this quick tutorial we'll show you how. The post Quick Tip: Layer Styles in After Effects appeared first on The Beat: A Blog by PremiumBeat.

MacBreak: Ep. 292 - Selecting “Tracks” in FCPX

November 18, 2014, 12:25 PM

https://www.aotg.com/macbreak-ep-292-selecting-tracks-in-fcpx/

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to think differently about inserting time into your project in Final Cut Pro X.

‘Nightcrawler’ | Anatomy of a Scene

November 18, 2014, 08:13 AM

https://www.aotg.com/nightcrawler-anatomy-of-a-scene/

The writer and director Dan Gilroy narrates a sequence from “Nightcrawler,” featuring Jake Gyllenhaal and Rene Russo. Produced by: Mekado Murphy Subscribe to...

Notes on syncing and slating from an editor

November 18, 2014, 08:12 AM

http://www.jaa-editing.com/blog/notes-on-syncing-a...

The film slate. It's one of the big symbols of film-making. But... there's a point to it. And that point is understood to a greater or lesser degree throughout the industry.But for an editor, it can be essential communication. We're usually not on set (we're editing the previous day's shots), and the less time we need to spend figuring information out, the more time we can spend being creative.  Here are some notes based on some past difficulties I've encountered when syncing video a...

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