To The Aotg.com Community,
It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
tip: writing to the disk cache during renders thro
November 17, 2014, 06:47 PM
http://blogs.adobe.com/aftereffects/2014/11/tip-wr...
One thing that makes After Effects work much faster is the persistent disk cache, which makes it so that After Effects can retrieve rendered items from disk rather than re-rendering items each time they are needed. (For details about the RAM cache and persistent disk cache, see this video by me on Lynda.com.) One thing that many people don’t realize, though, is that the disk cache is not written to by default for final renders through the render queue. This is because when we created the ...
The MPAA Just Released a Very Useful Tool
November 17, 2014, 03:59 PM
http://filmschoolrejects.com/news/mpaa-just-releas...
As we all know, the MPAA has a host of problems. It’s antique, it’s funded by the six major studios in their own interest, it’s not nearly as useful as it should be. However, we can hopefully all give credit where credit is due in the case of their new streaming search tool.
Behind 'Interstellar''s IMAX Technology
November 17, 2014, 03:59 PM
http://www.creativeplanetnetwork.com/news/shoot/be...
Two behind-the-scenes documentaries delve into the IMAX technology used for Christopher Nolan's Interstellar.
Jeff Brue engineers production pipeline for Gone G
November 17, 2014, 03:59 PM
http://blogs.adobe.com/premierepro/2014/11/jeff-br...
Jeff Brue founded Open Drives four years ago to design storage solutions for the media and entertainment industry. Working with top filmmakers in Hollywood provided a great test base and enabled the company to push its storage technology to new heights. Having previously worked with David Fincher on House of Cards, Brue was tapped as the post-production engineer for Gone Girl, where he collaborated with a talented team to create a next-generation editorial platform using Adobe Creative Cloud.
Jeff Brue engineers production pipeline for “Gon
November 17, 2014, 03:58 PM
http://blogs.adobe.com/premierepro/2014/11/jeff-br...
Post-production engineer combines hardware and software to bring VFX closer to editorial Jeff Brue founded Open Drives four years ago to design storage solutions for the media and entertainment industry. Working with top filmmakers in Hollywood provided a great test base and enabled the company to push its storage technology to new heights. Having previously worked with David Fincher on House of Cards, Brue was tapped as the post-production engineer for Gone Girl, where he collaborated with...
When someone brings in special coffee to work
November 17, 2014, 12:47 PM
http://renderplease.com/post/102881767685
Want to see 4K editing in Media Composer before it
November 17, 2014, 12:46 PM
https://www.videoguys.com/Blog/E/Want+to+see+4K+ed...
Avid is very excited about the impending release of the next version of Media Composer, and wants everyone to see it! And no, I’m not breaking any embargoes, NDA’s or anything like that. Avid is very excited about the impending release of the next version of Media Composer, and officially wants everyone to see it, and get excited about it as well.
Caption Your Video Right Inside Adobe Premiere Pro
November 17, 2014, 12:46 PM
http://screenlight.tv/blog/2014/11/14/caption-your...
There are a number of great reasons to caption online video. It creates a great web video experience for the deaf or hard of hearing. Whether you are creating video for entertainment, education, or marketing, why would you want to alienate a part of your potential audience. Your captioning files can be translated and used to reach audiences around the globe. Adding transcripts to your videos helps with search engine optimization and discoverability of your work, as the content is more...
EDA en el 29 Festival de Cine de Mar del Plata
November 17, 2014, 12:46 PM
http://www.edaeditores.org/eda-en-el-29-festival-d...
El martes 11 de noviembre se presentó oficialmente el 29 Festival Internacional de cine de Mar del Plata. Queremos compartir los trabajos de socios y socias de EDA que serán parte del gran evento cinematográfico del año, del 22 al 30 de Noviembre. COMPETENCIA ARGENTINA DE CORTOMETRAJES “Cómo olvidar un amor en 21 pasos” (2014) Montaje: […]
Boris TV, Episode 227: Up Rez in FCP X & Motion 5
November 17, 2014, 12:42 PM
https://www.aotg.com/boris-tv-episode-227-up-rez-in-fcp-x-motion-5/
John Rofrano shows FCP X and Motion 5 users how to UpRez SD footage to HD using BCC UpRez from Image Restoration. Plus add BCC Magic Sharp to further increas...
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