To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

3 Ways to Make Clone Indices Visible in Mograph

March 3, 2017, 10:14 AM

http://lesterbanks.com/2017/03/3-ways-clone-indice...

Working with the Cloner in Cinema 4D? There are times when it is helpful to know the clone indices that are associated with the clones in your scene. Perhaps you want to affect certain clones The Post 3 Ways to Make Clone Indices Visible in Mograph originally appeared and published on %%BLOGLINK%,by lesterbanks

How They Animated The Lego Batman Movie

March 3, 2017, 10:14 AM

https://www.aotg.com/how-they-animated-the-lego-batman-movie/

'The Lego Batman Movie' uses an impressive style of animation that replicates the look of real lego bricks. These digital bricks abide by all the rules of real Lego bricks, so they cannot bend or move in an impractical way. Mike Seymour breaks down a few of the most remarkable scenes, where numerous complex techniques were used to create a believable image.

Off The Grid: A Modern FCPX-RED-Resolve Workflow -

March 3, 2017, 07:49 AM

http://www.fcp.co/final-cut-pro/tutorials/1937-off...

Time for the last instalment in this reference series of articles for filmmakers. Part five is all about collaboration with colour, VFX and audio departments. We finish with how to deliver your film for theatrical release & display.

BATMAN V SUPERMAN - VFX Breakdown

March 3, 2017, 07:48 AM

http://www.artofvfx.com/batman-v-superman-dawn-of-...

Really nice VFX Breakdown by MPC about their work on the Batman vs Superman fight and the final sequence of BATMAN V SUPERMAN – DAWN OF JUSTICE...

Game of Thrones - Series Six CGI Breakdown

March 3, 2017, 07:48 AM

http://www.cgmeetup.net/home/game-of-thrones-serie...

Winner of the Best Visual Effects award at the Creative Arts Emmys, the critically adored fantasy also took top honours at the 2017 Visual Effects Society Awards, where it won the categories of Outstanding Visual Effects in a Photoreal Episode; Outstanding Animated Performance in an Episode or Real-Time Project; Outstanding Created Environment in an Episode, Commercial, or Real-Time Project; Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project; and Outstanding Composit...

Pixologic on Z-Brush Live

March 3, 2017, 07:48 AM

http://www.allanmckay.com/73/

Pixologic are the developers of Emmy award winning Z-Brush, the industry standard for sculpting and surfacing in 3D.

Oscars Party Diary 2017

March 2, 2017, 05:33 PM

https://americancinemaeditors.org/oscars-party-dia...

http://www.hollywoodreporter.com/lists/oscars-party-diary-2017-inside-a-list-parties-events-978690

DaVinci Resolve 12.5 for Linux Now Available

March 2, 2017, 05:33 PM

https://www.aotg.com/davinci-resolve-12-5-for-linux-now-available/

DaVinci Resolve and DaVinci Resolve Studio are now available for Red Hat and CentOS Linux.

#color grading#post production#linux
Looking at the ACES color workflow on Café Societ

March 2, 2017, 05:33 PM

http://postperspective.com/looking-aces-color-work...

By Sarah Priestnall Last year’s Café Society marked a milestone in Woody Allen’s cinematic career — the first of his movies to be acquired digitally, mostly with the Sony F65 camera, and with additional use of the Sony F55. To accompany him in this endeavor, he turned to legendary Italian cinematographer Vittorio Storaro, Continue reading → March 2, 2017 The post Looking at the ACES color workflow on Café Society appeared first on Randi Altman's postPerspective.

Monthly Theme: Hardware

March 2, 2017, 05:33 PM

http://designingsound.org/2017/03/monthly-theme-ha...

This month you can leave your DAW, VSTs and AUs at the door because we’re going to be taking a look at hardware. From the beginnings of audio reproduction though to skeuomorphic plugin UI designs, hardware and its influence has always been present in our world.So whether the word conjures up fear at the prospect of non-recallable settings […]

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