To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Color Grading Paramore’s “Last Hope”

October 1, 2014, 01:24 PM

http://coatofarmspost.com/color-grading-paramores-...

We love to color correct, especially when the footage includes singer Hayley Williams and rock band Paramore. Performing live from the Monumentour in Chicago, Illinois on July 11, 2014, Paramore recorded a live video for their song “Last Hope.” With Director Michael Thelin‘s direction, Coat of Arms edited and color corrected the entire video. Color correction is [...]

Boris FX Adds Blackmagic DaVinci Resolve Support t

October 1, 2014, 01:24 PM

http://provideocoalition.com/news/story/boris-fx-a...

Boris FX, the leading developer of integrated VFX and workflow technology for video and film, announces added host support for Blackmagic DaVinci Resolve to its flagship product line, Boris Continuum Complete (BCC), and to Boris RED. "From the advanced vector titling of Boris RED 5.5 to the...

Inside the Classroom: DaVinci Resolve with Warren

October 1, 2014, 01:23 PM

https://www.youtube.com/watch?v=yTM1xZYAqYs

Warren Eagles has been grading for over 20 years, and is now li...

ASC Color Decision List To Receive HPA

September 30, 2014, 09:48 AM

http://www.hollywoodreporter.com/behind-screen/asc...

The American Society of Cinematographers Color Decision List (ASC CDL)—developed by the ASC Technology Committee with contributions from a broad group of industry participants—will receive the Hollywood Post Alliance Judges Award for Creativity and Innovation in Postproduction.

AMIRA Color Tool: 02 – What's new in version 1.0

September 29, 2014, 09:52 AM

https://www.aotg.com/amira-color-tool-02-whats-new-in-version-1-0/

In this screencast Alexander Keerl covers the changes and new features of version "1.0 release" of the AMIRA Color Tool: Medadata display, Different ways to ...

The pros and cons of adding a 4K display to your M

September 29, 2014, 04:55 AM

http://www.macworld.com/article/2598045/really-big...

Monitors that stretch the width of your desk are so last year. Rob Griffiths decided he wanted to try something new: a 4K high-density screen.

LUTs en Final Cut Pro X con LUT Utility

September 28, 2014, 07:49 AM

http://finalcutargentina.blogspot.com/2014/06/luts...

Una situación recurrente editando proyectos con el Final Cut Pro 7 era –y para aquellos que aún lo utilizan sigue siendo– tener que lidiar con archivos provenientes de Arri Alexa y su Log C, que provee un mayor rango dinámico para la corrección de color pero como contraparte, la imagen se ve muy chata si no se la interpreta adecuadamente y para ello necesitamos un plugin que requiere un proceso muy intensivo y por lo tanto, largos tiempos de render.Final Cut Pro X tiene desde hace va...

New High End Color Correction House Apache Digital

September 26, 2014, 11:30 AM

http://bosfcpug.org/new-high-end-color-correction-...

Blackmagic Design has announced that new Los Angeles based color correction house Apache Digital has built its two new color correction suites around DaVinci Resolve.

55/55 Exporting Color Lookup Tables in Photoshop C

September 26, 2014, 11:28 AM

http://blogs.adobe.com/jkost/2014/09/5555-exportin...

If you’ve ever created a special style or “look” to apply to your images using multiple layer adjustment and blending options, then the ability to create and export Color Lookup Tables (LUTs) in Photoshop CC could potentially save you a significant amount of time. Although historically Color LUTs have been used primarily by the film industry, I believe that many photographers and designers will find the ability to remap any color in an image to any other color quite powerful. These...

© 2007-2026 www.aotg.com Ver. 3.0 All Content created and posted by Art of the Guillotine users Art of the Guillotine graphics, logos, designs, page headers, button icons, scripts, and other service names are the trademarks of Art of the Guillotine Inc. Use of this material outside of this site is strictly prohibited.