To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

IBC Blog: 
color grading, end to end post, more

September 18, 2014, 12:32 PM

http://postperspective.com/ibc-blog-color-grading/...

By Chris Ryan We had three meetings today: Filmlight, SGO and Rohde & Schwarz. Here’s the rundown… FilmLight Nice Shoes currently uses FilmLight’s Baselight system for color grading, so we went to their booth first to touch base on new products and to get a feel for where they’re heading in the future. Their big product […]The post IBC Blog: 
color grading, end to end post, more appeared first on postPerspective - Randi Altman's postPerspective.

QUIZ: What Pantone colour are you?

September 18, 2014, 09:36 AM

http://www.creativebloq.com/creativity/quiz-what-p...

We know, deep down, you'd really like to know your perfect shade of red, purple, or blue, perhaps? Here's your chance to find out...

Monitor Calibration with SpectraCal

September 18, 2014, 04:43 AM

http://training.abelcine.com/event/monitor-calibra...

To truly judge your image on set, in post production, or in any color critical environment it is necessary to have a properly calibrated monitor. This course provides in-depth monitor calibration training using the latest software from SpectraCal. Topics range from basic brightness and contrast adjustments, to building ICC profiles and 3D LUTs. Learn both the theory behind monitor calibration techniques, and how to implement them with SpectraCal’s CalMan software. Attendees will leave with the...

Blackmagic DaVinci Goes up to 11

September 17, 2014, 05:06 PM

http://library.creativecow.net/owens_joseph/DaVinc...

Colorist Joseph Owens has been in the heart of postproduction for over 30 years, and has used one form or another of DaVinci Resolve for a large part of that. In his look at the latest release of what he calls the gold standard for color correction, he both covers new features, and considers the possibilities that those features offer.

The Colour of Beer

September 17, 2014, 11:29 AM

http://www.fastcocreate.com/3035877/see-how-colorf...

Years ago, artist and photographer Angelica Dass began a project of cataloging every variant of human skin tone with a corresponding Pantone color. This chromatic inventory served as both a comment on diversity and a celebration of color. In a less lofty, but certainly more drunkifying examination, a designer has matched the labels of beer cans with the color of the brew within.

Deluxe To Process And Deliver Native & Re-Mastered

September 17, 2014, 11:27 AM

http://www.prnewswire.com/news-releases/deluxe-sel...

BURBANK, Calif., Sept. 17, 2014 /PRNewswire/ -- Deluxe Selected By LG Electronics To Process And Deliver Native & Re-Mastered 4K Hollywood And Local Content. Deluxe to Prepare and Encode Content for Shipping with LG's 4K ULTRA HD TVs Worldwide.

Lit Post Handles Color and Finishing for The Quiet

September 17, 2014, 11:27 AM

http://www.btlnews.com/crafts/post-production/lit-...

Burbank-based Lit Post recently contributed DI color and finishing services for The Quiet Ones, directed by John Pogue and produced by Exclusive Media under the Hammer Films label.

Toggling colour corrections, smooth slow motion an

September 17, 2014, 11:25 AM

http://www.fcp.co/final-cut-pro/tutorials/1501-tog...

This week's Ripple trio of tutorials (or should that be triple Ripple!) will show you a very handy assignable shortcut, how to replace a sign in Motion and the trick to getting silky smooth slow motion in FCPX.

The Colours of Death Valley

September 17, 2014, 04:22 AM

http://www.fubiz.net/2014/09/17/death-valley-color...

Le photographe américain Jordan Sullivan a pensé le désert et son ciel comme un pantone dans la série « Death Valley ». On y voit des sommets de montagnes qui forment leurs lignes d’horizon sur des fonds violets, roses, jaunes et bleus. Une série qui fait penser à celle de L’Atelier Cordulia.

SGO Previews Mistika 8.4 at IBC

September 15, 2014, 02:56 PM

http://www.studiodaily.com/2014/09/sgo-previews-mi...

SGO released v8.2 of its Mistika software in the days leading up to IBC and previewed v8.4 on the show floor, focusing on support for 4K and Ultra HD, high frame rate (HFR) and high dynamic range (HDR). One change … more »

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