It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
December 5, 2016, 06:17 AM
http://nzpetesmatteshot.blogspot.ca/2016/12/urban-...
Greetings matte painting enthusiasts, it's time once again to take another of NZPete's magical mystery tours into the world of the traditional, hand painted matte shot. Today we will conclude our two part retrospective look at the matte artist's urban landscape, with a great many wonderful examples of the artform, numerous of which haven't been illustrated anywhere until now. I've got some amazing material for you here and I hope you'll find the following both illuminating and informative.
December 5, 2016, 06:17 AM
http://www.screeneditors.com.au/2016-ellie-award-w...
THE AUSTRALIAN SCREEN EDITORS GUILD PROUDLY CONGRATULATES THE WINNERS OF THE 2016 ASE GUILD ‘ELLIE’ AWARDS, OUR NEW ACCREDITEES AND LIFETIME MEMBER Best Editing in a Drama Feature Tania Michel Nehme - Tanna WINNER Ken Sallows ASE - A Month of Sundays Karryn de Cinque - Girl Asleep Veronika Jenet ASE - The Daughter Best […]
December 5, 2016, 06:04 AM
https://labs.chaosgroup.com/index.php/cg-garage-po...
Art Gensler’s name will be familiar to architects and designers, but if you haven’t heard of him, here’s a rundown. In 1965, Art founded M. Arthur Gensler Jr. & Associates, which is now the world’s biggest architecture firm in terms of revenue. It creates everything from wine bottle labels to the biggest buildings in the world. Chances are you’ve set foot in a Gensler-designed space at some point in your life, be it a Gap store or the Shanghai Tower.
December 5, 2016, 06:04 AM
http://www.content-technology.com/asiapacificnews/...
Singapore-headquartered Beach House is a global production and post production media power house with locations in Australia, China, Taiwan and the United States. Beach House Pictures (BHP) has produced such highly rated series as the David Attenborough narrated Wild City (CNA), China from Above (Nat Geo), Asia’s Next Top Model Season 3 (Starworld), Nomad Chef (Discovery) and Hiccup & Sneeze (Okto).
December 5, 2016, 06:04 AM
http://www.creativebloq.com/features/how-far-is-to...
When it comes to securing work and progressing a career, getting your name out there is one of the first challenges most designers will encounter. Competition is fierce, so if you want to stand out from the crowd and impress a studio or creative director you're going to have to do something truly impressive. There are some pitfalls you need to avoid, however, but thankfully the experts are here to guide you through.
December 5, 2016, 06:04 AM
http://www.commandeditpodcast.com/blog//a-long-win...
Let me back it up a bit. Joe Vallero is an editor who made the move to LA and has the IMDB page to show it. In our interview with him here we ask him about how making the transition to LA and finding work went for him, any tips he would have for other editors looking to wedge their foot in the proverbial door of big productions and what myths about working in LA hold water and which ones are just fluff.
December 5, 2016, 06:04 AM
http://www.audiomediainternational.com/recording/a...
An expert in aesthetics, perception, signal processing, electroacoustics and room acoustics for the creation and enjoyment of recorded music, Case brings a wealth of knowledge and hands-on experience to the organisation.
December 5, 2016, 06:03 AM
http://deadline.com/2016/12/goodbye-kansas-vfx-gro...
Stockholm-based VFX Group Goodbye Kansas is setting up shop in the UK with a new London studio to help deliver what it calls a “unique smorgasbord” of services to filmmakers, marketers and game developers.
December 4, 2016, 01:43 PM
http://www.screeneditors.com.au/2016-ellies-winner...
WINNERS OF THE 2016 ASE ELLIE AWARDS
December 4, 2016, 01:43 PM
http://designingsound.org/2016/12/sunday-sound-tho...
As the year continues, many of these posts will be philosophical in nature. Some will be in contradiction to previous postings. These are not intended as truths or assertions, they’re merely thoughts…ideas. Think of this as stream of consciousness over a wide span… Last week, my wife and I were driving back through San Francisco […]
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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