To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

Com Hem Play Vfx Breakdown

November 22, 2016, 06:59 AM

http://www.cgmeetup.net/home/com-hem-play-vfx-brea...

Swiss International presents Com Hem Play Vfx Breakdown.

ILM is on fire with Deepwater Horizon

November 22, 2016, 06:58 AM

https://vfxblog.com/2016/11/22/ilm-is-on-fire-with...

You might not have seen Peter Berg’s Deepwater Horizon when it hit cinemas. But I’d implore you to check it out, if only for the remarkable combination of practical set photography, fire simulation and compositing involved in depicting the catastrophic – and real life – oil rig explosion that occurs in the film.

FXPodcast = Arrival VFX Supervisor

November 22, 2016, 06:58 AM

https://www.fxguide.com/fxpodcasts/fxpodcast-315-a...

Mike Seymour talks to the overall VFX Supervisor Louis Morin about the incredible and instant sci-fi classic Arrival by director Denis Villeneuve.

Sound and Music of Life Animated

November 22, 2016, 06:58 AM

http://soundworkscollection.com/news/the-sound-and...

From Academy Award® winning director Roger Ross Williams, LIFE, ANIMATED is the inspirational story of Owen Suskind, a young man who was unable to speak as a child until he and his family discovered a unique way to communicate by immersing themselves in the world of classic Disney animated films.

GENIE Lifetime Achievement Award for Joe Letteri

November 22, 2016, 06:58 AM

http://www.artofvfx.com/paris-images-digital-summi...

As a media partner of Paris Images Digital Summit, we are happy to announce to you that Joe Letteri (Senior VFX Supervisor at Weta Digital) will receive the GENIE Lifetime Achievement Award in January 2017 during the third edition of the Digital Creation GENIE Awards!

Creating a Realistic Ocean in Cinema 4D

November 22, 2016, 06:58 AM

http://www.cgmeetup.net/home/creating-a-realistic-...

In this tutorial, I’ll show you how to create a realistic ocean render inside of cinema 4d.

Advanced Mixing with Roles in FCP 10.3

November 22, 2016, 06:58 AM

https://www.aotg.com/advanced-mixing-with-roles-in-fcp-10-3/

In this episode of MacBreak Studio, Sam Mestman shows us how to use compound clips and Roles to quickly set up an an audio mix in Final Cut Pro 10.3.

Premiere Pro CC – 2017- New Features

November 21, 2016, 05:35 PM

http://www.retooled.net/?p=1690

In this video, we explore some of the new features in the Creative Cloud 2017 release of Premiere Pro. As usual, we try to focus on some of the smaller features of the release, in addition to the features that have already been getting coverage. We go over: Project Locking Captioning Updates After Effects Text […]

Room Tone – 28 Weeks of Post Audio – Week 2

November 21, 2016, 05:35 PM

http://www.provideocoalition.com/room-tone-28-week...

True silence in filmmaking is rarely used. There might be a bit of silence at the fade out to black or between scenes, but during a scene, although someone might not be speaking and there is no score or sound effects, it is not “silent” – there is a sound to that unique space and The post Room Tone – 28 Weeks of Post Audio – Week 2 appeared first on ProVideo Coalition.

Let’s Edit with Media Composer – ADVANCED –

November 21, 2016, 05:34 PM

http://www.provideocoalition.com/lets-edit-media-c...

In this lesson, part 2 of our look at GenArts Sapphire’s Builder tool, Kevin P McAuliffe goes in depth to show you how he created the “Inner Limits” show opening element he teased in the first part of this tutorial series. As complicated as it might seem, you can quickly and easily create looks like The post Let’s Edit with Media Composer – ADVANCED – Sapphire Builder Tool Part 2 appeared first on ProVideo Coalition.

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