It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
June 2, 2014, 09:35 AM
http://www.postmagazine.com/Press-Center/Daily-New...
NEW YORK — Finishing colorist Anthony Raffaele has joined Technicolor-PostWorks’ (www.technicolorpwny.com) growing roster of film and television talent. Formerly a senior colorist at Deluxe, New York, Raffaele arrives with broad credits in independent film and episodic television.
May 31, 2014, 09:51 AM
http://www.cgmeetup.net/home/nuke-8-new-match-grad...
Check out the new Match Grade tool in NUKE 8, which automatically matches the grade from one clip to another.
May 31, 2014, 03:39 AM
http://www.negativespaces.com/blog/2014/5/17/advan...
On negativespaces.com you’ll find numerous articles on the subject of monitor calibration. I’d say that of all the topics I’ve covered since 2007, this is the one that I've emphasized the most.
May 30, 2014, 09:54 AM
http://www.sgo.es/2014/05/sgo-sponsors-creative-we...
Showcasing Excellence in Creative Output | 2 – 6 June 2014 – BAFTA, 195 Piccadilly London W1J 9LN 30 May 2014, London, UK – SGORead more...
May 30, 2014, 04:38 AM
http://news.creativecow.net/story/875899
(London, United Kingdom--May 29, 2014) SGO is proud to sponsor Creative Week which takes place at BAFTA from 2 - 6 June, drawing the television, film and advertising worlds together. Creative Week is the perfect environment for visitors to meet SGO and discover even more about Mistika's remarkable 4K capabilities and Mamba FX's node-based compositing, within the context of an experts forum.
May 30, 2014, 04:38 AM
http://cinescopophilia.com/impulz-and-the-1900-lut...
Visioncolor is bringing out ImpulZ - Analog Color Science for digital Cinema. Oh it's about 1900 LUT's is all.
May 29, 2014, 04:26 PM
http://www.finalcutpro.es/2014/05/videotutorial-co...
Todos sabemos que en el proceso de corrección de color es fundamental poder comparar diferentes imágenes de una manera rápida. En este vídeo os enseñamos las diversas formas en las que se puede hacer dentro de DaVinci Resolve 10, disponibles tanto en la versión de pago como en la gratuita. En poco más de 5 minutos repasaremos […]
May 29, 2014, 02:42 PM
http://feeds.redgiantsoftware.com/~r/redroomblog/~...
Hey folks - We’ve just released a maintenance update for Magic Bullet Looks 2.5 and Mojo. Magic Bullet Looks 2.5.1 NEW: Now Compatible with Avid Media Composer 8 Fixed an issue where the video frame was distorted in Sony Vegas 32bit mode when using Magic Bullet Looks 2.5. Fixed a crashing issue in FCPX when [...]
May 29, 2014, 02:41 PM
http://training.abelcine.com/event/digital-technic...
Many of the latest camera systems offer either Log or Raw recording modes that give us the most possible information out of the camera. These features are great at keeping the original camera ‘negative’ as clean as possible, but at the same time they can leave your image on set looking very flat and boring.
May 29, 2014, 02:41 PM
http://www.creativeplanetnetwork.com/the_wire/2014...
Rising post talent brings strong credits in independent film and television. NEW YORK— Finishing colorist Anthony Raffaele has joined Technicolor-PostWorks’ growing roster of film and television talent. Formerly a senior colorist ...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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