It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.
Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.
We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.
Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.
Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.
I look forward to seeing everyone at the various post events worldwide in the coming years!
Yours truly,
Gordon Burkell
Aotg.com Founder
May 22, 2014, 09:43 AM
https://www.youtube.com/watch?v=R_Rx_ERVqtc
In the first part we'll focus on building the extremely detailed depth and color maps, building the general shape, placing it in space and preparing it for animation.
May 22, 2014, 09:43 AM
http://blog.abelcine.com/2014/05/22/creating-and-i...
In the latest firmware version 4.0 for the F5/F55, Sony added the ability to load custom 3D LUTs. This enables you to see the look you want on set while recording in Raw or Log. Many have been asking about this feature for some time now, and Sony has now made it available. In the video above, I show how to create both 1D and 3D LUTs in Sony’s Raw Viewer software and then import them into the camera.
May 21, 2014, 05:03 PM
http://postperspective.com/creating-deeper-talent-...
Now that SGO Mistika systems are being installed here in the US, postPerspective thought it would make sense to find out what the company is doing about training artists so studios who have invested in the product have a deeper pool of talent to pick from when the need arises. With that in mind, we […]The post Creating a deeper talent pool: training for Mistika, Mamba FX appeared first on postPerspective - Randi Altman's postPerspective.
May 21, 2014, 04:35 AM
http://www.taoofcolor.com/2269/learn-color-correct...
I struggled with it for many years. I was a straight-to-broadcast online editor who was taught at the very start of his career what good images look like. And concepts like broadcast legality? They were burned into my soul.
May 20, 2014, 09:36 AM
http://www.postmagazine.com/Press-Center/Daily-New...
FERNDALE, MI — Creative boutique Territory (www.territorypost.com) has purchased a Quantel Pablo Rio system for high-end color and finishing. The studio has also invested in Quantel’s Neo Nano panel to provide seamless interaction with Pablo Rio’s color toolset.
May 19, 2014, 02:31 PM
https://www.aotg.com/kill-game-shot-on-blackmagic-cinema-camera/
Fremont, CA - May 19, 2014 - Blackmagic Design today announced that “Kill Game,” a new suspense thriller/horror film produced by Marty Murray of Full Throttle Pictures and distributed by Vantage Media International (VMI), and being screened at the upcoming Cannes Film Festival, was shot entirely on the Blackmagic Cinema Camera EF and graded and edited using DaVinci Resolve.
#blackmagic design#davinci resolve#horror#blackmagic cinema camera#cannes#kill gameMay 19, 2014, 09:30 AM
http://www.btlnews.com/crafts/post-production/terr...
Michigan-based creative boutique Territory has purchased a Quantel Pablo Rio color and finishing system to enhance its postproduction capabilities. Territory has also invested in a Neo Nano panel to control the Pablo Rio's color toolset.
May 14, 2014, 04:46 PM
http://blog.abelcine.com/2014/05/14/davinci-resolv...
Little by little, update by update, Blackmagic Design has been adding editing features to their popular DaVinci Resolve color grading software. With the newest release, Resolve 11, they’ve fully committed to providing a single platform from which users can color correct, edit, finish, and deliver.
May 14, 2014, 01:09 PM
http://www.productionhub.com/blog/post/why-assimil...
SCRATCH v8 is everything a digital cinema or broadcast post artist needs for 2D and 3D productions: One comprehensive and robust end-to-end imaging tool set -- from data management to conform, color grading, versioning, compositing, playback, and finishing -- for nearly all digital workflows, including RED, ARRI, Sony F65 and F55, Canon 5D, Phantom, Go Pro and many more.
May 14, 2014, 09:36 AM
http://postperspective.com/postperspective-contest...
Sign up for the postPerspective weekly newsletter between now and June 15 and also enter to win a free copy of Blackmagic’s DaVinci Resolve software. Resolve 11 was introduced at NAB 2014 featuring over 100 new editing and color grading features, including improvements in online editing plus context sensitive trimming, on-set file cloning, photographer-style color […]The post postPerspective contest: win a Blackmagic DaVinci Resolve appeared first on postPerspective - Randi Altman's pos...
Daniel George McDonald sits down to discuss creating the finale for Cheer Season 2.
Gordon sits down with the editorial team of The Black Lady Sketch Show to discuss their approach to ...
Gordon sits down with Philip to discuss his work with Tyler Perry and his latest film A Madea Homeco...
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