To The Aotg.com Community,

It is with a heavy heart that we announce we will no longer be updating Aotg.com. Back in 2007, when we started, there was a lack of access to information about film, television, and commercial editing. We wanted to fix that by creating a central location for content about editing to be stored.

Since then, we've watched the amount of content about editing on the internet grow exponentially. We've also watched social media tools come and go with that growth. Does anyone remember Google Wave!? These social media tools changed how people access and search for media and information. People tend to turn to Facebook, Youtube, Twitter, and Instagram for their news and information, and those are all great tools to promote your sites, but as a site that aggregates links to other sites for users, it just doesn't work for us.

We will keep the site live but archive the ability to add links and comments. We will keep our database live with the links for those who desire to use it to search for editing information and research.

Our podcast, The Cutting Room, will move over to the Filmmakeru.com website and will continue to be a place for interviews with editors and other film professionals.

Everyone who worked for Aotg.com loved what we created and are proud that we could help so many editors find content that spoke to them.

I look forward to seeing everyone at the various post events worldwide in the coming years!

Yours truly,
Gordon Burkell
Aotg.com Founder

WWE Uses Fairlight for Audio Post Production

February 22, 2017, 11:28 AM

https://www.aotg.com/wwe-uses-fairlight-for-audio-post-production/

Blackmagic Design today announced that World Wrestling Entertainment (WWE) relies on Fairlight DAWs with Xynergi controllers for all of its audio post production needs, including audio post production on the recent Smackdown Holiday Tour. The WWE’s VP of Post Production, Chris Argento, and his team have used Fairlight to help deliver tens of thousands of broadcast, online and social media projects across the WWE’s numerous properties.

#editing#audio#mixing#sound design
An Introduction to Game Audio Scripting (Part 1)

February 22, 2017, 06:09 AM

https://www.asoundeffect.com/game-audio-scripting/

Game audio throws many challenges at audio professionals who have to respond to player input and anticipate many situations which never arise in linear media.

Jünger Audio Shows High Quality Audio Processors

February 21, 2017, 10:14 AM

http://www.broadcastbeat.com/junger-audio-shows-hi...

Digital audio specialist Jünger Audio will be promoting its Smart Audio concept at this year’s CABSAT exhibition in Dubai (Booth 102, Hall 1) by focus attention on effective, high quality and possibly automated audio production, particularly in live broadcast environments. Smart Audio means investing in simple, reliable and predictable equipment that can automatically deliver audio ...

The Telos Alliance TV Solutions Group at BVE 2017

February 21, 2017, 09:29 AM

https://www.aotg.com/the-telos-alliance-tv-solutions-group-at-bve-2017/

LONDON, UK, FEBRUARY 21, 2017 - The Telos Alliance announced today that its TV Solutions Group (TVSG) will be exhibiting at the BVE 2017 Expo (Stand E36) in London, February 28 - March 2 . TVSG will be showcasing audio equipment and solutions from Linear Acoustic, Minnetonka Audio and Telos Alliance Audio over IP (AoIP) partners Axia, Omnia Audio and Telos Systems.

#minnetonka audio#linear acoustics
La La Land Sound Department

February 21, 2017, 06:26 AM

http://www.btlnews.com/awards/74429/

2017’s Oscar front runner, La La Land, has employed thousands of craftspeople, technicians and artists to help flesh out director Damien Chazelle‘s vision of a Hollywood musical with a modern spin. Two such trusted teammates were sound designer and supervising sound editor, Ai Ling Lee and Mildred (Milly) Latrou, supervising sound editor. According to Lee, […] The post La La Land Sound Department appeared first on Below the Line.

Golden Reel Awards: Hacksaw Ridge Wins Two Top Fea

February 21, 2017, 06:25 AM

http://www.btlnews.com/awards/74422/

Hacksaw Ridge captured Golden Reels for Best Sound Editing in Feature Film for both FX/Foley and Dialogue/ADR. Supervising sound editor Robert Mackenzie stated, “This film really is an example of the whole being greater than the sum of the parts. Everyone put in so much and it really shows.” La La Land garnered yet another […] The post Golden Reel Awards: Hacksaw Ridge Wins Two Top Feature Film Honors appeared first on Below the Line.

The Audio Mentoring Project Launches

February 21, 2017, 06:25 AM

http://designingsound.org/2017/02/the-audio-mentor...

Some really great people have just launched The Audio Mentoring Project. I could paraphrase the press release to explain what it is but instead here is the press release:   FOR IMMEDIATE RELEASE:   Game Audio Veterans Launch One-on-one Mentoring Project   February 21, 2017 — The Audio Mentoring Project (AMP) launched a drive for […]

2017 MPSE Golden Reel Award Video

February 21, 2017, 06:20 AM

http://soundworkscollection.com/news/2017-motion-p...

Taking you behind the scenes and straight to the dub stage for a look into audio post-production for feature films, video game sound design, and original soundtrack composition.

La La Land-28 Weeks of Post Audio-Week 15

February 20, 2017, 05:27 PM

http://www.provideocoalition.com/la_la_land

La La Land, this year’s big Oscar nominee, is the first feature film to have a female sound editing team nominated. Millie Iatrou and Ai-Ling Lee, were co-supervising sound editors on the film. Ai-Ling was also tasked with sound design and shared mixing duties with legendary re-recording mixer Andy Nelson (2 Oscar wins among his The post La La Land-28 Weeks of Post Audio-Week 15 appeared first on ProVideo Coalition.

The Sounds of Violence

February 20, 2017, 01:44 PM

https://filmschoolrejects.com/fight-club-sound-des...

art of the reason David Fincher’s Fight Club has become one of the most talked-about films of the last 20 years is because it is a full-on assault to your senses. It doesn’t just tell its story, it makes you feel it through frenetic and highly-stylized visuals teamed with innovative, unexpected, and equally-powerful sound design. The movie affects you like a drug, it gets your heart racing, your skin tingling, it alters your perceptions of reality in a way that is simultaneously disorienting...

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